James Patterson has written a self-destructing book to create a thrilling reading experience, with a countdown clock at the top of the screen ticking the time until the entire book disappears. Readers can also see where others are in the book and “steal time” from those reading competitors.
Exclusive interview by Mary Yuhas
James Patterson holds the New York Times record for the most bestselling novels by a single author, which is also a Guinness record.
In 2010, the New York Times Magazine featured him on its cover and hailed him as having “transformed book publishing.” For the past decade, Patterson has been devoting more and more of his time to championing books and reading. His website, ReadKiddoRead.com is designed to help parents, teachers and librarians ignite the next generations excitement about reading. Patterson’s Book Bucks programs provide gift certificates to be used at independent local book stores. He has also donated 650,000 books to soldiers at home and overseas. He has donated scholarships in teacher education at twenty-two schools including Vanderbilt University, the University of Wisconsin and Manhattan College. Mr. Patterson’s awards for adult and children’s literature include the Edgar Award, the International Thriller of the Year Award and the Children’s Choice Award for Author of the Year. Mr. Patterson received a bachelor’s degree from Manhattan College and a master’s degree from Vanderbilt University. He lives in Palm Beach with his wife, Sue, and his son, Jack.
James Patterson; photo by David Burnett
LitVote: Your first novel “The Thomas Berryman Number” was published in 1976. It won an Edgar. What do you think of the book now when you revisit it? (The Edgar Allen Poe Awards or Edgars are presented every year by the Mystery Writers of America to honor the best in mystery fiction, non-fiction, television, film and theater published or produced the previous year.)
James: I love the picture on the back of the book. I look so young, probably because I was so young. I think Berryman is still is the best written novel I’ve done. I think the story is a bit convoluted, which of course endears it to my fellow mystery writers. I don’t think the story is as strong as the ones I’ve done since then. Winning the award was a huge surprise. I remember when I won the Edgar at the Commodore Hotel I said, “I guess I’m a writer now.” I knew I could do this thing (writing) at a certain level.
LitVote: You’ve sold ever 300 million books worldwide. Is there a single or multiple discipline that you apply to each book that you feel has led to your huge success as an author?
James: I like to pretend I’m sitting across from somebody, just an audience of one, and I don’t want them to get up until the story is finished.
I try to use the notion of highest common denominator for all my novels. I want a mainstream audience, but I want to create something that’s at the top of the food chain… not at the bottom or the middle.
LitVote: What do your readers tell you they like best about your books?
James: I think two things that come up again and again are characters they want to follow and know more about, and pace. As the Brits say about my books, the pages practically turn themselves.
LitVote: Not only do you write thrillers for adults, you’ve written 35 books for children and teens. How do you come up with so many ideas?
James: For some reason, I don’t find coming up with ideas very difficult. It seems to be my strong suit. I have a folder in my office which is about nine inches thick full of new ideas. I’m writing another outline just this week. I don’t know where all this inspiration comes from. When I was a kid, we lived in the woods, and I wandered endlessly telling myself stories.
LitVote: You are well known for the lengthy outlines (60 – 80 pages) that you write before you begin a book. Are you able to describe what these outlines are like?
James: Basically the outline is the book. If you read one of my outlines, you’ll get the whole story. I try to make every chapter a scene.
I try to capture one nugget and try to build a scene around it.
LitVote: What is the biggest mistake most first time authors make?
James: I would say the mistake is not outlining, or not spending enough time on the outline. In most cases writers would save themselves a lot of heartache, and an unbelievable amount of time, if they would simply outline first. I think that is the biggie in terms of writer mistakes.
LitVote: Why do you write with other authors?
James: I think people are interested in this because for whatever reason they can’t fathom that somebody works differently than they do, or differently from the way they think everyone else should write. Collaboration can be easily understood – just think about Gilbert and Sullivan, or Lennon and McCartney, or Woodward & Bernstein. There are an inordinate number of successful collaborations. I was in Hollywood once and one of my books was being turned into a TV series.
There were ten writers collaborating. So what I do isn’t really all that unusual. Frequently in movies and TV, you have teams collaborating.
In advertising, it’s writer and art director, or writer and producer. The big lesson of the digital age is the power of collaboration.
LitVote: How do you choose your coauthors?
James: Coauthors are mostly people I have known for a period of time. I know they are good writers and I can work well with them. It’s almost always people I already know.
LitVote: What marketing strategies do you recommend authors use to sell their books?
James: If a lot of people weren’t interested in the last James Patterson book, the marketing is not going to fool them when a new book comes out. All marketing can do is communicate, there’s a new book and what kind of book it is. A lot of the apocryphal stuff written about my use of marketing is pure gibberish. I set the “Women’s Murder Club” in San Francisco because I wanted to write about San Francisco, not because I thought it would be a terrific marketing move.
LitVote: Is there anything you’ve learned not to do over your years as an author?
James: Unfortunately I keep forgetting the lessons I’ve learned and have to relearn them. I think the thing I’m most guilty of is losing focus while I’m writing a new book or outline. I always want to be conscious that somebody is out there – a potential reader – and I have to hold their interest for several hours.
It would be useful for some writers to craft a novel the way they would a short story. My original models for my fiction are very tight novels like “Mrs. Bridge,” “ Mr. Bridge,” “Steps,” and “The Painted Bird.”
LitVote: Do you immediately know if a book has the “right stuff” to make it and if so, what is the “right stuff?”
James: The three rules of real estate are location, location, location.
My rule for writing commercial fiction is story, story, story. The key to writing suspense is to raise questions that the reader absolutely, positively must have answered.
LitVote: Your latest venture is film. Murder of a Small Town, is a documentary about the downward spiral of minorities due to the loss of jobs in Pahokee and Belle Glades, Fla. and in your hometown of Newburgh, N.Y. How was this experience and do you plan to produce more films?
James: I wrote the documentary because I visited Pahokee and Belle Glades, Fla. and Newburgh, N.Y. having given books out there to school kids. I found the kids to be bright and interesting – but I worried that they might become victims to the violence in these small towns.
Films that are hopefully upcoming are: “Zoo” with CBS which will be on this summer; “Middle School The Worst Years of My Life” with CBS as a TV show; and we’re developing “I Funny” with Nickelodeon.
Author Mary Yuhas, is the author of the upcoming memoir, QUIT AND BE QUIET, about growing up with a severely mentally ill mother, featured three times on Scribd.
December 6, 2014 – Yang Huang launched her novel Living Treasures, a passionate quest for romance and justice, at Green Apple Books in San Francisco, CA, and will be reading at the San Francisco Public Library today. Having lived under the one-child policy in China, she imparts profound and moving wisdom.
‘To make a real change, even a small one, you cannot expect it to be passed down from the government, but rather, it needs to start with you and your actions.
An excerpt of Yang Huang’s talk:
I have a day job, working as a computer engineer at UC Berkeley. As a writer I have a rather optimistic worldview. I like to tackle big social problems in my fiction, put my characters under the test, let them suffer, and in their darkest and most despairing hours, let them use their ingenuity (much like an engineer), and find some sort of relief or solution, not a cure-all, but a way out, so that they can move forward to rebuild their lives.
Before I talk about my book, I want to tell you the inspirations for my story.
First, it was the panda. [Hold up the panda picture.] Who could resist a face like this? But do you know its secrets? Panda is bear, with the digestive system of a carnivore, thus derives little energy and protein from consuming bamboo, which is 99% of its diet. Pandas in the wild occasionally eat birds, mice, or fish if they can catch them.
To make up for the inefficient digestion, a panda needs to consume 20 to 40 pounds of bamboo every day. This affects its behavior. A panda must spend 10 to 16 hours a day foraging and eating. The rest of its time is spent mostly sleeping and resting.
Bamboo species flower periodically, every 30 – 120 years or so. All plants in a particular species mass flower worldwide over a several-year period. Flowering produces seeds, and bamboos die after flowering. The seeds will give rise to a new generation of bamboos, but it can take years to replenish the food supply for pandas.
When I was in middle school, we donated money to rescue the pandas from starvation, as bamboos mass flowered over large areas of the Min Mountains. It was one of the few fund raising events I ever had in China. The plight of cuddly pandas touched many young hearts. We wrote letters, essays, drew pictures, and told stories about these national treasures.
My book begins with a mother panda eating a chicken, so that she could survive the winter and nurse her cub.
Here we see the resilience of panda, and the girl who witnesses it.
My second inspiration is the student movement of 1989.
My heroine, Miss Gu Bao, her name sounding like “national treasure” in Chinese, grows up in the 80s.
It was a hopeful time, a liberal time. After the dark ages of brutal prosecution and censorship in the Cultural Revolution, many western thoughts were introduced and flourished in China. For the young people, it was sexy to be in a debate salon and wrangle over ideological issues. Before long, people began to demand human rights, freedom, and democracy.
[Holds up Qin’s picture]. This is Qin, my better half, during the heyday of the 1989 student movement. I didn’t have a picture, because people were still afraid of retaliation. Students began their protests at night, wearing facial masks to avoid being recognized or photographed. This might be mid-May, when the movement had gained so much support throughout China. It was “safe” to be seen as a “patriotic youth” rather than condemned as “a traitor conspiring to overthrow the government.”
Soon the situation escalated. The Tiananmen Square massacre came as a complete shock. To this day, we don’t know how many were killed on the dawn of June 4th. The official story was that no one died in the square. The propaganda machine in China wiped out every evidence of the demonstrations and subsequent crackdown.
My poor parents were grateful that I wasn’t in the Square that night. They told me to never speak of it. What good does it do, for the dead and living? My classmate, a hunger striker, dropped out of the university afterwards. I never heard from him again. Dr. Liu Xiaobo, the Nobel Peace Prize Laureate, is still imprisoned for speaking up about the Tiananmen Square massacre.
The student movement in 1989 was a defining moment of my generation. We experienced the hope, joy, and heartbreak of losing a historical opportunity. I reflected on the tragedy for more than twenty years. I would write a story about the students’ fight but with a more meaningful arc. There were many things leading up to the massacre and following after that, but that night, inevitably the focus of my story is just a starting point, a central metaphor for Bao’s tragedy. I didn’t want it to end on Tiananmen Square. It needed to be in rural China, where a lot of the injustice happened.
My third inspiration is the one-child policy.
May I see a show of hands? It doesn’t matter where you were born. [pause] Would those of you not firstborns please raise your hands? [Yang counts] That’s about a half of the people in this room. You wouldn’t have been born in China after 1976, if your parents hadn’t fought hard to save your lives.
Here is a little bit of history. In the 1950s, Chairman Mao, with a typical peasant mentality, banned family planning and encouraged women to have as many children as possible. The population grew from 540 million in 1949 to 969 million in 1979, nearly 80% of population increase within three decades. In the seventies the government tried to solve the population crisis by enforcing strict controls to slow down the birth rate. Aside from some minority groups, every couple could only have one child.
The problem is: local governments all had their own rules and regulations to enforce the policy. Some people lost their jobs after having a second child. Others were fined. Like many policies in China, there was abuse of power and corruption was rampant. In some villages, one-child policy worker team hired thugs to threaten and beat up people, force collect the fines, and even kidnap the women and their relatives. Some women had their full-term babies aborted. (If the drugs couldn’t kill, a nurse injected medicine on the baby’s temple when the mother was pushing.) Some women died from the brutal procedures, while others were forced into sterilization.
My fourth inspiration is a blind lawyer, Mr. Chen Guangchen.
While revising Living Treasures, I learned about Mr. Chen, a civil rights activist who worked on human rights issues in rural China. Blind from an early age and self-taught in the law, Chen is a “barefoot lawyer” who advocates for women’s rights, land rights, and the welfare of the poor. That was the career path that I planned for Bao, that she would mature into a grassroots activist.
To make a real change, even a small one, you cannot expect it to be passed down from the government, but rather, it needs to start with you and your actions. The victory isn’t achieved by the talks on Tiananmen Square but in every action you do, every person you help, and every sacrifice you make for the common good.
The students in 1989 appealed to the ruling class to change the corrupt system. It ended in the massacre. That’s no reason to give up. What if we don’t fight, but live our lives to the fullest?
Every person thinks s/he is free, despite what the government tells them, and live their lives like free people, take charge of their social responsibilities, and reach out to the less fortunate.
I know Bao could do this, because Mr. Chen did it with some success. In 2005, Chen organized a landmark class action lawsuit against authorities in Shandong province, for the excessive enforcement of the one-child policy. What an amazing achievement for a courageous blind lawyer!
In Living Treasures, village woman Mrs. Orchid already has a daughter. The one-child policy worker team forced her to have two abortions. When she gets pregnant again, she hides in a cave. There she meets Bao, who ended her pregnancy in order to continue her career as a law student. Bao is not impressed with Orchid at first, but she learns to admire Orchid’s strength and resolve to have her child. She ends up risking her own life to protect Orchid.
The ensuing violence is a metaphor for the Tiananmen Square massacre. But Bao is more fortunate than the students on the Square. With the help of her soldier boyfriend, she is able to rise from her tragedy and becomes a human rights activist. Her journey will not be easy, and she will suffer a great deal for her choice, but she has taken an important first step, not only for herself, but for 1.35 billion Chinese people who don’t have the political power.
You may ask why I wrote the story of a Chinese woman in English. There were several reasons. When I was a teenager, I was enthralled by the French writers, novels by Victor Hugo, Balzac, and Alexandre Dumas. Those stories from the faraway land seemed more realistic, vivid, and inspirational than the Chinese novels about the suffering in the Cultural Revolution. When I managed (believe me, it was hard) to put down the book and walked to the school, I no longer saw the tractors and oxcarts, motorcycles and bicycles in bright daylight but felt as if I were running down the dimly lit alleyways in Paris during the French Revolution.
Then I was able to rise above the peer pressure, that I wasn’t pretty, intelligent, or popular at a prestigious high school. I was a captivated reader. The story of French people translated into Chinese was devoid of clichés yet colored by passion. I grew up and named my first child Victor, after my idol Victor Hugo.
My 2nd reason was the censorship. My book would be banned, before it was even written in Chinese. I kept a blog in mainland China and learned many tricks to circumvent the internet censorship, [for example, using homophones to describe the taboo subjects]. Even worse is the self-censorship. A famous writer once said, “If you want to write honestly, you should write like an orphan.” I didn’t like being an orphan, so I’d say, “If you want to write honestly, write in a foreign language that your parents cannot understand.”
I came to the U.S. at the age of nineteen, graduated from college at twenty-one, and became a computer engineer. At twenty-three, I had a midlife crisis. I went back to school, while working full time, and studied literature and writing. It was very hard work. From day one I knew I would support my writing life by working as an engineer. What got me through two decades of apprenticeship was not the prospect of being published, though it was nice that I finally got published, but the firm belief that I was doing something worthwhile. Having a job is to earn my keep from the society, but writing is to give back to the community my soul, my struggle, and my faith in humanity and future.
Here is my 3rd reason to write in English: to communicate with people different from me—to educate them, entertain them, and affirm the values that we all hold dear: truth, love, courage, and selflessness.
In a small way I was emulating the masters: Victor Hugo, Balzac, and Alexandre Dumas. Likewise, I wanted to tell stories of the faraway land that make people forget the trouble in their own lives, just for an instant, look up and see a bigger world full of people, who look like strangers, as you look more closely, you’ll find they are just like you, with the same longings, fears, and ambitions. Their children and your children will inherit the same world after you are gone.
I got a lot of friendly advice over the years. They told me: You’re the first generation immigrant, and you’re a woman. You have to work and raise a family. You don’t have the luxury of chasing a dream. Wait until you are retired, your children in college, and then take your time to write. I didn’t take the sensible advice. Life is short. I’d rather multitask and fail, than wait and discover that my time has run out. If my life were a baseball game, I want to strike out swinging rather than strike out looking.
I never argued with the wise people who warned me that I might fail. I had nothing to prove. Just do it.
Writing is a lonely task. I found support in my friends and family. Just do it.
It didn’t matter if I failed or succeeded. I am only limited by my timidity, my prejudice, and my own imagination.
I told myself: Just do it. Keep doing it. And do more of it. Predictably, the wise people left me alone.
I got a BA, an MA in English and an MFA in Creative Writing. My life got more hectic after I graduated, but I kept on writing. I had children, and they slowed me down. I used to write a book in a year and half, but Living Treasures took me five years to write and five more years to get it published. If I were a hare before, now I am a turtle. I plug away patiently and take in beautiful sceneries on my journey. As I grow older, I have less time to write. I focus on the essentials, the emotions, and no longer cringe to cut my favorite passages in order to advance the story.
I learned much from watching my heroine develop and mature in the course of a novel. A young woman who wants to become a lawyer, Bao has so much to lose at the beginning: her virginity, her baby, and her career. When she’s confronted with evil, her conscience wakens. She takes a stand for what she believes in and risks everything in her life.
Do we have the courage to fight for our true believes? If we look deep inside, we’ll find a hero or heroine buried under the layers of politeness, the mundane, and the compromises.
If we are true to ourselves, that hero or heroine will awaken, summon their courage, elicit help, and open doors to new careers, new relationships, and creativities. Life is not merely a thing to be tolerated but celebrated. We become free even as we are trapped inside this transient shell, this small building, and this unjust world.
If you like, I’ll read a scene from my book . . .
by Dr. Susan Patrice/Kasuku Magic
A theory cleverly uncommon
Portrays Santa as a Shaman
A revitalizing view, and also uplifting
Was his practice of spiritual gifting
Heaven and earth his chosen domains
Traveling by sleigh tethered by reins
Guiding flying reindeer
One, not eight did first appear
Climbing and Soaring in a star filled sky
Gracefully that team would fly
Gently onto the roof top they would glide
Santa then stepping inside
Pulling from his bag messages spirits wished to share
Letting humans know they did care
Offering hope and cheer
For a more prosperous celebration the following year
With encouragement to enjoy each moment of this day
Honoring spirit memories on display
The past, present, and future in a magical suspension
Imbued with a visit from a timeless dimension
Happy Holidays to everyone
written by Dr. Susan Patrice/Kasuku Magic
who recently died of cancer.
Publisher Harvard Square Editions is looking for literary fiction of environmental or social significance.
Its mission is to publish fiction that transcends national boundaries, especially manuscripts that are international, political, literary, sci-fi, fantasy, utopia and distopia. Send submissions of aesthetic value and constructive social or political content, especially manuscripts related to climate change, deforestation, and conservation.
Elliot A. Wilson ’15 and Sarah E. Coughlon ’15 pose with their book collections. They are good friends but like to get competitive about their reading choices. Photo by Theresa Tharakan
By ANNIE C. HARVIEUX, CRIMSON STAFF WRITER
Although many Harvard students find themselves too busy to read for leisure, an affirming amount of the student population collects books and reads for fun, amassing some pretty exemplary bookshelves in the process.
“We should probably tell her about competitive reading,” Coughlon says to Wilson. It turns out the pair’s massive collection isn’t just a hobby—it’s a full-fledged rivalry. Both friends use the website Goodreads to track what they’ve read. Wilson explains, “I’d started in high school, and was mean to Sarah freshman year about her reading habits, and it just so happened that Goodreads instituted a Challenge Yourself book-reading competition, and so we ended up not only challenging ourselves, but each other. We both read 100 or more books [that] year.” …[more via The Harvard Crimson]
The Sun is hiring
They’re searching for an Associate Publisher to direct business operations, finance, and personnel. They also have openings for a Manuscript Editor and an Editorial Assistant.
All three positions are full-time and based in our Chapel Hill, North Carolina, office.
Click the job titles below for details. (No e-mails, phone calls, faxes, or surprise visits, please.)
More information is available at:
Courtesy NPG Music Publishing
Fresh from releasing “FALLINLOVE2NITE,” his latest single on Epic Records, Prince has announced that he is assigning the rights to his catalog to NPG Music Publishing, which means he will be doing it himself with the help of “some of the best talent in the industry,” according to the release.
Prince’s last publishing deal was with Universal Music, before leaving the company several years ago. He had been inked to Kobalt Music for a label services deal but chose to release his latest single through L.A. Reid’s Epic label.
The Grammy-winning multiplatinum icon’s songs, which he considers “fit 4 eternal publication,” includes such hits as “Kiss,” “When Doves Cry,” “Little Red Corvette,” “Let’s Go Crazy,” “U Got the Look,” “Purple Rain” and “Diamonds and Pearls,” most of which he played at a mammoth four-hour-plus show at the Palladium in Hollywood last month. NPG Music Publishing marks the first time Prince’s publishing has been independently controlled and administered in more than 20 years.
(via Hollywood Reporter)
LinkedIn just became more like Facebook. Now everyone can write and post articles on LinkedIn, not just well-known business names. The new strategy follows LinkedIn’s disclosure that page views slipped for the second consecutive quarter.
Now that LinkedIn ‘Influencers’ includes all willing and able writers, the company will use algorithms to distribute the most popular articles.
Three in ten adults read an e-book last year; half own a tablet or e-reader
By Kathryn Zickuhr and Lee Rainie
Most American adults read a print book in the past year, even as e-reading continues to grow
The proportion of Americans who read e-books is growing, but few have completely replaced print books for electronic versions.
The percentage of adults who read an e-book in the past year has risen to 28%, up from 23% at the end of 2012. At the same time, about seven in ten Americans reported reading a book in print, up four percentage points after a slight dip in 2012, and 14% of adults listened to an audiobook.
Though e-books are rising in popularity, print remains the foundation of Americans’ reading habits. Most people who read e-books also read print books, and just 4% of readers are “e-book only.” Audiobook listeners have the most diverse reading habits overall, while fewer print readers consume books in other formats.
Overall, 76% of adults read a book in some format over the previous 12 months. The typical American adult read or listened to 5 books in the past year, and the average for all adults was 12 books.1 Neither the mean nor median number of books read has changed significantly over the past few years.
More also own dedicated e-reading devices
The January 2014 survey, conducted just after the 2013 holiday gift-giving season, produced evidence that e-book reading devices are spreading through the population. Some 42% of adults now own tablet computers, up from 34% in September. And the number of adults who own an e-book reading device like a Kindle or Nook reader jumped from 24% in September to 32% after the holidays.
Overall, 50% of Americans now have a dedicated handheld device–either a tablet computer like an iPad, or an e-reader such as a Kindle or Nook–for reading e-content. That figure has grown from 43% of adults who had either of those devices in September.
In addition, the survey found that 92% of adults have a cell phone (including the 55% of adults who have a smartphone), and 75% have a laptop or desktop computer – figures that have not changed in significantly from our pre-holiday surveys.
People read e-books on other devices, too
E-book readers who own tablets or e-readers are very likely to read e-books on those devices—but those who own computers or cellphones sometimes turn to those platforms, too. And as tablet and e-reader ownership levels have risen over the past few years, these devices have become more prominent in the e-reading landscape:
About the survey
These findings come from a survey conducted by Princeton Survey Research Associates International between January 2-5, 2014. The survey was conducted among a nationally representative sample of 1,005 adults ages 18 and older living in the continental United States. Interviews were conducted by landline (500) and cell phone (505, including 268 without a landline phone), and were done in English and Spanish. Statistical results are weighted to correct known demographic discrepancies. The margin of error for the full sample is plus or minus 3.4 percentage points.
(Via Pew Research Internet Project)
This article first appeared in the New York Times
Say you are getting ready for a blind date or a job interview. What should you do? Besides shower and shave, of course, it turns out you should read — but not just anything. Something by Chekhov or Alice Munro will help you navigate new social territory better than a potboiler by Danielle Steel.
That is the conclusion of a study published Thursday in the journal Science. It found that after reading literary fiction, as opposed to popular fiction or serious nonfiction, people performed better on tests measuring empathy, social perception and emotional intelligence — skills that come in especially handy when you are trying to read someone’s body language or gauge what they might be thinking.
Photo: Casey Kelbaugh
Emanuele Castano, left, and David Comer Kidd, researchers in the New School for Social Research’s psychology department.
“This is why I love science,” Louise Erdrich, whose novel “The Round House” was used in one of the experiments, wrote in an e-mail. The researchers, she said, “found a way to prove true the intangible benefits of literary fiction.”
“Thank God the research didn’t find that novels increased tooth decay or blocked up your arteries,” she added.
The 5-Minute Empathy Workout
Curious to see how you do on a test of emotional perception?
The researchers say the reason is that literary fiction often leaves more to the imagination, encouraging readers to make inferences about characters and be sensitive to emotional nuance and complexity.
The researchers, social psychologists at the New School for Social Research in New York City, recruited their subjects through that über-purveyor of reading material, Amazon.com. To find a broader pool of participants than the usual college students, they used Amazon’s Mechanical Turk service, where people sign up to earn money for completing small jobs.
People ranging in age from 18 to 75 were recruited for each of five experiments. They were paid $2 or $3 each to read for a few minutes. Some were given excerpts from award-winning literary fiction (Don DeLillo, Wendell Berry). Others were given best sellers like Gillian Flynn’s “Gone Girl,” a Rosamunde Pilcher romance or a Robert Heinlein science fiction tale…[more]
by N.C. Hogg
This morning past, present and hoped-for future
did I glimpse, in crowded tramcar joined.
Two young, heavily-beluggaged, strangers,
Placed together by scheming gods,
contending with each other to recount
experiences, on the road, before the prof, of their worlds.
He, his words strutting with wit and charm,
Gestures well-controlled and movements careful.
She attentive with ready question, comment and small laugh
Then in her turn she told him of her lot
As circus girl, aspirant clown, an acrobat
Her last show before cheering crowds
At this picture conjured, his eyes grew big
and in wonder did he smile.
He touched her shoulder in unmistaken sign
she reached up to put her hand on his
in proud conquest, their worlds now one.
Then there was me, my now was as observer,
I saw my now hyperbolically glorious past
when in such conceit I did delight.
I, too, could amuse
and generate a warm place she’d want to be
in an, all too often, brief, yet perfect, company.
Such chance meetings, way stations on
a changed for-ever-path towards the future.
Then I saw a woman of your build
yet able to give you some twenty of her years
Small, compact, sinewy, tough
Ten thousand past joys and tribulations in her face
hesitantly step on at the Parvis
aided by a man, her similar in stature,
her complement companion.
Frail, slender arm about her
re-offering the protection of a lifetime
She muttered something I doubt he could have heard,
his face lit up, in understanding of the deepest kind:
her recognition of his presence as she snuggled
deeper into his warm round
Looking back and foward in comfortable glow
A continuum of the marvels in life’s rich flow.
This poem by Sarah Strange first appeared at Poet in the Woods
The recession hits us long and hard
Jobs lost, our spending power is halved
Utilities that we need and use
Skyrocket – we’ve all got the blues!
Some social services close their doors
And luck runs out for local stores
We grow our veggies, make and mend
And where possible – don’t spend.
The hunt for jobs is fierce and long
And to succeed you must be strong
The level of skills is very high
Just the cream of the crop gets by.
So, many strike out on their own,
With business cards and mobile ‘phone
After wading through a paper trail
Of tax forms, VAT, junk mail.
It isn’t like it used to be
You can’t retire at fifty-three
And enjoy two holidays a year;
The good times simply are not there.
By Bill McKibben (HC ’82)
This article first appeared in Orion Magazine.
THE LIST OF REASONS for not acting on climate change is long and ever-shifting. First it was “there’s no problem”; then it was “the problem’s so large there’s no hope.” There’s “China burns stuff too,” and “it would hurt the economy,” and, of course, “it would hurt the economy.” The excuses are getting tired, though. Post Sandy (which hurt the economy to the tune of $100 billion) and the drought ($150 billion), 74 percent of Americans have decided they’re very concerned about climate change and want something to happen… (more)
We call on the City of Cambridge Retirement System to immediately freeze any new investment in fossil fuelcompanies, and to divest from direct ownership and any commingled funds that include fossil fuel public equities and corporate bonds within 5 years (more)