RAJANI KANTH, author of Coda, has held affiliations with some of the most prestigious universities in the world. He has also served as an advisor to the United Nations. He is the author/editor of several academic works in political economy and culture-critique, is a novelist and poet, and has also scribed several screenplays. He is, presently a visiting fellow at Harvard University, and permanent trustee of the World Peace Congress.
NEW YORK TIMES AND USA TODAY BESTSELLING NOVELIST, SCREENWRITER, EDITOR, NAMER, CRITIC, MOVIE ADDICT AND CHOCOHOLIC, Caroline Leavitt, blogs…
TUESDAY, NOVEMBER 8, 2016
Harriet Levin Millan talks about her profound novel-based-on-a-true-story, How Fast Can You Run, about a South Sudan refuge searching for the mother he was separated from when he was five.
“The best war novel told from a young boy’s perspective since Jerzy Kozinski’s The Painted Bird.”
—Nyoul Lueth Tong, author of There is a Country: New Writing from the New Country of South Sudan
Prepare to be amazed. When One Book, One Philadelphia asked author and Drexel University professor Harriet Levin Millan to choose ten of her undergraduate creative writing students to interview ten South Sudanese refugees for a special One Book writing project, she met Michael Majok Kuch, who became the subject of her novel. . Kuch survived the torching of his village in South Sudan, and was separated from his mother when he was only five. His quest to be reunited with her, and the plight of the refuge is both profound and moving. Thank you so much Harriet, for being here.
I always say every book starts with a yearning. What was yours?
My yearning was for Michael Majok Kuch, the S. Sudanese national, I based my novel on, to see his mother. They had been separated since Michael was five-years-old and their village was attacked in the middle of the night and they got separated. So by the time I met him, when he was a senior in college, he hadn’t seen her for nearly 22 years. [more…]
The author of Mr Green Jeans has launched an educational children’s show aimed at a K-4 audience, ‘Uncle Steward’s Backyard’.
Its intention is to promote stewardship of our environment. With an engaging and fun character named Uncle Steward, the show explores our natural world and our part in it.
Interacting, helping and teaching about how to be a good steward is the goal of the series. Creating young stewards in a time when all of us need to be Stewards of the Earth is essential education if we hope to protect and care for our home which has been under continual attack for many generations.
Uncle Stewards Backyard is about creating a conscious change in how we interact with the Earth, one new Steward at a time!
The Earth does not belong to us, we belong to the Earth. Chief Seattle
The full Uncle Steward’s Backyard season premiere will be available soon.
My second book in the Mr. Green Jeans series is underway and the second book will be released in 2017. The fight continues in a grander, riskier and more targeted fashion. Familiar characters from the first book return, but the villain count increases in book two. A war is on and there will be a winner.
Interview with Chris S. McGee for Earth Day
Mr Green Jeans came out on Earth Day. It is one of several environmental novels published by Harvard Square Editions:
Watch this fascinating interview with Eco-series author Chris S. McGee:
“This is the first in a series of books planned by the author to feature Jack, Lake and friends. I, for one, look forward to reading the continuing journey of these eco-stewards. Whether you are among those taking a more involved approach to helping the environment, or you are contemplating a plan of action, or you simply remember the activism of your youth, you will appreciate the message and the characters of Mr Green Jeans. And you’ll have a fine time reading this thrilling and enthralling example of the cli-fi genre.”
Prudy Taylor Board is a project editor with Taylor and Francis Publishing, a leading publisher of technical, academic and scientific nonfiction headquartered in Boca Raton.
Currently, she leads two critique groups in Palm Beach County and is the immediate past president of the Writers Network of South Florida. She has had 22 books (15 regional histories in Florida and South Carolina and 5 novels) and more than a thousand articles published in regional and national magazines. She was a staff writer for the News Press, public information officer for the sheriff’s department; assignment editor and reporter for CBS and NBC TV affiliates on the other coast, and managing editor of two regional magazines — Lee Living and Home &Condo. She also edited The Fiction Writer, a magazine for writers distributed nationally. In Palm Beach County, before moving to Taylor and Francis, she was Managing Editor of Dartnell Corporation’s sales publications and personally edited Sell!ng™ and Sales & Marketing Executive Report for which she won a national award as most improved from the Newsletters and Electronic Publishers Association.
Prudy writes about what she knows. For her horror novels, written as Prudence Foster, she has studied the occult for years, traveled to Haiti where she attended a voodoo ceremony in the woods outside Cape Haitien, attended a séance at a cenote where virgins were sacrificed centuries ago outside Chichen Itza, Mexico, and in Cartagena, Colombia, she had a Tarot card reading and befriended a 90-year old medium. Her mysteries, in particular the Recipes for Murder series, are based on her experiences as a television assignment editor/reporter and daily newspaper reporter covering the courts and police beats. (more…)
How do you find readers on Twitter? People who read Twitter like a newspaper find the threads they’re interested in by searching on topics preceded by hashtags. That’s why writers need to ‘file’ their tweets by adding hashtags to their messages. Otherwise, writers risk tweeting into the abyss.
Here are hundreds of hashtags that will fly your tweets beyond your followers to everyone reading about your topic on Twitter:
William P. Wood on turning books into movies, catching lightning in a bottle, and working with his father
William P. Wood is the author of nine novels and one nonfiction book. His work in the District Attorney’s Office inspired him to pen an array of acclaimed legal thrillers.
Many of his books have been translated into multiple languages and optioned for motion pictures, two of which were produced. Wood’s latest release is, Sudden Impact. He currently lives in Sacramento, California, where he is working on his next novel.
LitVote: Do you write about the cases that most disturbed you?
Bill: I don’t. People, situations, strange facts mix together and the combination turns into a story. The characters, their hopes and fears and ambitions and escapades are what matter.
LitVote: Your book, Rampage, was optioned and made into a film. Court of Honor was made into a TV movie, Broken Trust on TNT. Can you explain the process once a producer expresses interest in adapting a book into a film?
Bill: I was lucky. Both of those books became movies quickly. Other books were optioned, had screenplays written, and shopped around and nothing happened. Turning books into movies, especially today, is like catching lightning in a bottle. The basic straightline process, which rarely happens, is that the book is optioned, a screenwriter and or talent, like actors, like the idea, and folks come up with the money to film. But it is an eccentric process.
LitVote: Were you happy with the adaptations?
Bill: Very much so. Rampage had one of the world’s most talented and visionary directors, William Friedkin turn it into a striking film. He was incredibly gracious and generous throughout the shooting, editing and later events associated with Rampage. The cast was superb too, starting with Michael Biehn. Likewise, Broken Trust was a terrific film. Joan Didion and her husband John Gregory Dunne are not only superb writers but extraordinary screenwriters, which is very different process. Tom Selleck turned in a profound, layered performance in the lead with Marsha Mason and Elizabeth McGovern giving the whole enterprise depth, suspense, and drama.
LiteVote: How long does it take you to write a book?
Bill: Pick any time. I’ve written novels in forty-five days and my one nonfiction book, The Bone Garden about female serial killer Dorothea Puente took nearly four years. On average a novel, from first to last draft, takes about eight months.
LitVote: You also were a co-writer for several episodes of the CBS-TV series “Kaz” starring Ron Liebman (a former car thief-turned-criminal attorney Martin “Kaz” Kazinsky.) What was that like?
Bill: Wonderful. Frustrating. Fun. One episode starred the great late character actor Eugene Roche as a judge going crazy during a trial. He was astonishing. But as the series went on, there were more people trying to shoehorn ideas into scripts and things got very cumbersome. My late father, Preston Wood, and I wrote three episodes together, based on my experiences as a deputy DA like my novels, and working him was one of the proudest and most satisfying experiences of my life. He wrote for almost every major TV show, “Adam-12”, “Addams Family”, “Emergency!”, “Bonanza” for example.
LitVote: What is the single most important thing an author can do to improve his or her writing?
Bill: Read a lot. First last and always. Rewrite. Okay, that’s two things.
LitVote: Any tips for first-time writers?
Bill: Write because you enjoy it. Write because you have something to say. Don’t worry about anything else.
LiteVote: What’s next for you?
Bill: A movie version of my latest novel, Sudden Impact, I hope. And finishing a new novel.
Author Mary Yuhas, is the author of the upcoming memoir, QUIT AND BE QUIET, about growing up with a severely mentally ill mother, featured tree times on Scribd.
As writers hell-bent on creating a new and vital fiction genre, cli-fi (climate fiction), we’re probably aware how research via scientific thinking and and information can support and enrich our fictional world-building. But how what about the scope, scale, approach and desired outcomes of cli-fi creation?
Do we reflect our faith in the ingenuity and good intentions of homo sapiens? Do we point the finger at ourselves as Walt Kelly (Pogo) did on the first Earth Day (1970) —”We have met the enemy,” he wrote, “and they are us”? Or do we accept the inevitable and write to the prospects and percentages of planetary collapse?
What is eco-etiquette and how does it apply to or optimism, or pessimism, objectivity, ethical responsibilities and creativity as cli-fi writers? — all questions worth considering as fiction writers and all questions raised by scientists and scholars of our planet’s trajectory past, present, and future.
Many of us have discussed public response to dystopian, disaster-oriented cli-fi in terms of its potential to desensitize, guilt-trip, or fulfill self-destructive fantasies. Okay. But what are non-fiction climatologists and environmental prospectors thinking? And can they give us any helpful clues as to how to approach our work as novelists?
The essay, “Endgame?” just appeared in “The Nation,” the United States’ oldest running (and most consistently progressive) periodical. “Endgame?”, written by an urban affairs activist named Rebecca Tuhus-Dubrow, is actually a survey of current non-fiction writing and thinking on climate change and the ongoing speculation about potential climate disaster.
“Endgame?” asks many of the questions we do about the impact of our writing, various stances that enviro thinkers are taking, and introduces us to six books written across the spectrum of current thinking about… yes, the endgame — what leads up to it, what happens after. Rather than delve into the specifics of the six books, I urge you to read this informative and relevant multi-review of the way people are thinking about and writing on global warming.
I’d forgotten how my immediate supervisor, Danny Gordon, never really shook hands. He’d just put his in yours and leave it there, like a small, limp package waiting for UPS. We’d been holding hands like this ever since he walked into my office to welcome me back. Sweet.
“The . . . thing.” Dan nodded then fell silent. I decided it was up to me to end the non-handshake and gentlly disengaged myself from it. Dan still said nothing. The pause was clammier than his hand. “Say whatever the fuck it is you have to say, Dan,” I suggested pleasantly.
Danny winced; he tended to take profanity very personally. His small brown eyes had been fixed on the floor. Now, as he looked up, they darted every which way behind the narrow glasses — furtive weasel eyes trying to escape from his desperately hip green rectangular frames, from his head, from my office. From me. (more…)
Sometimes good things do happen to us writers. In September an editor from Amazon Publishing got in touch. She wanted to buy rights to A Fine and Dangerous Season, the Cuban Missile Crisis thriller I’d published as an ebook on my own last year.
Amazingly, six weeks later — today! — the book is out in a re-edited version with a new cover in both ebook and trade paper editions.
Here in Palo Alto, it’s bright and sunny and in the high 60s.
I step onto a wide stone platform surrounded by water and lie on my stomach to peer down over the edge. At my approach, tiny fish scatter like drops of colored light; crabs pause, wary, then scuttle along the sides of the basin, stuffing their mouths as fast as they can with alternate pincers. After a while, a kind of brown finger wriggles out from the shadows. Another one emerges, then two more, and finally the bulbous body of an octopus comes into view. It skims along until the water is too shallow then starts to walk, using its tentacles as legs. When the water gets deeper it pushes off against the sandy bottom to glide, once more, just beneath the surface. It circles round and round my platform.
My back begins to prickle, and I realize I’ll be burnt to a crisp if I don’t find shelter pretty soon — the ocean breeze masks the sun’s virulence.
Standing up makes me momentarily dizzy. The tide has gone out, uncovering rocks studded with barnacles or slick with thick green hair. I head back toward the flat sand and continue walking, looking for a place to rest. I’ve just about resigned myself to the idea of a plastic chair, when I spot a barraca that’s not open for business. The beach in front of it is empty, the small structure shuttered; its thatched roof casts a nice, wide stripe of shade onto the sand. Gratefully, I set up camp, taking out the water and crackers I brought, spreading out my towel to sit on, and leaning against the barraca wall with the empty backpack in between for cushioning. A sigh of relief.
The ocean is now more white than blue. At the horizon, a wavering smudge might be a cruise ship or an oil rig. The great mass of water is barely disturbed by shifting waves, fretful and sluggish like a dog settling down to sleep. There’s an occasional bloom of white spray when a wave breaks against rock; wisps of cloud trail across the sky. I yawn, lie down on the towel, and close my eyes.
Now the landscape is reduced to the rustle of wind in the palm thatch, the faint piping of a distant bird, and the dull roar of the ocean. I stretch my arms and let them flop back down. Rolling my head slowly from side to side to loosen the tension in my neck, I notice that this movement causes the pitch of the ocean to vary ever so slightly. Intrigued, I try it a few more times, just to make sure.
There’s a lesson in that, I reflect: reality changes according to your viewpoint. I roll my head once more from side to side then lie still again, listening to the tiny, ceaseless fluctuations within the monotone.
An insect lands on my foot — without opening my eyes I flex my toe to chase it away, and realize that the gesture produced an infinitesimal shift in the ocean sound. Bizarre! I can understand the position of my head influencing what I hear, but the position of my toe? (more…)
Truth was, she used to be able to organize her thoughts, until Floyd retired. Now he was always hanging around talking to her, asking what she was doing. Every time he went out, which wasn’t often enough for her taste, he would ask her if she needed anything and then look angry if she did. Sometimes he’d look angry if she didn’t. Now she looked for errands for him, just to get a moment’s peace. When she sent him off for milk this morning she could have lived without it. But she couldn’t have stood listening to him complain about the bus ride to Atlantic City before it happened, not non-stop for the next two hours.
“You’re creating your future,” she told him. “Whatever you’re thinking and feeling, that becomes your reality.”
“Don’t give me that shit,” he’d said, putting on his coat and hat. He had been wearing that same damned hat with the stingy brim so long it had come back in style.
“It’s the law of attraction,” she’d continued. “You can deny it all you want but that don’t mean it’s not true. “Everything coming into your life you are attracting into your life. You’re like a magnet.”
“Well, this magnet’s going to attract some milk,” he’d said before going out the door.
He had made fun of her ever since she first heard Oprah talking about The Secret but deep down she thought that maybe he believed her. Or would, if he would just give it a try. He would come home so angry about something that happened out there – the security guy asleep in the chair, or someone who wouldn’t give his seat up on the subway – and she would tell him, “Every bad thing that comes into your life, you make happen.” (more…)
Chris Hedges holds a Master of Divinity from Harvard Divinity School. His recent book is Days of Destruction, Days of Revolt. He is the author of the bestsellers American Fascists: The Christian Rightand theWar on America, and Empire of Illusion: The End of Literacyand the Triumph of Spectacle and was a National Book Critics Circle finalist for his book War Is a Force That Gives Us Meaning.
Debbie Bourne, 45, was at her apartment in the Liberty Village housing projects in Plainfield, N.J., on the afternoon of April 30 when police banged on the door and pushed their way inside.
The officers ordered her, her daughter, 14, and her son, 22, who suffers from autism, to sit down and not move and then began ransacking the home. Bourne’s husband, from whom she was estranged and who was in the process of moving out, was the target of the police, who suspected him of dealing cocaine. As it turned out, the raid would cast a deep shadow over the lives of three innocents—Bourne and her children.
* * *
The murder of a teenage boy by an armed vigilante, George Zimmerman, is only one crime set within a legal and penal system that has criminalized poverty. Poor people, especially those of color, are worth nothing to corporations and private contractors if they are on the street. In jails and prisons, however, they each can generate corporate revenues of $30,000 to $40,000 a year. This use of the bodies of the poor to make money for corporations fuels the system of neoslavery that defines our prison system…[more]
There is a higher probability of doing time in the ‘land of the free’ than in any other country.
On its way to becoming a prison state with the highest incarceration rate in the world, the U.S. seized the center stage again when it provoked the hunger strike at Guantanamo Bay.
Wall Street Journal reporter and author Jess Bravin (HC ’87) highlights some of the differences between U.S. prisons and Guantanamo and discusses where to try suspected terrorists in this exclusive author interview.
Jess: There’s one tremendous difference. In U.S. prisons, people are there because they have been convicted of a crime and sentenced to a term of years or life. At Guantanamo, as we know, almost no one there has actually been convicted of anything. They’re being held preventatively.
LitVote: Can you tell me how many are in there for no reason at all?
Jess: Sure. Well, right now there are about 166 men still held at Guantanamo Bay. Congress has imposed a lot of restrictions preventing the president from transferring people out of Guantanamo, and the United States is having difficulty finding places to send them since it won’t accept them on its own soil, so it has to try to negotiate or persuade or pay other countries to take them. Most of the prisoners cleared for release are from Yemen, and U.S. authorities believe the environment in Yemen is too unstable and risky for these men. Other detainees, such as the Uighur Muslims from China, are at risk of persecution if repatriated to their home countries. And the US Congress has imposed restrictions on the president’s ability to transfer detainees out of Guantanamo.
LitVote: How come they’re all men? US prisons are 92 percent men and 8 percent women.
Jess: … there don’t seem to be a lot of women who were involved in very high levels or involved in organizing terrorist acts or taking up arms who were fingered in this way.
LitVote: What about the people in the orange suits with the bags over their heads?
Jess: I did see in January of 2002 a military transport plane that was offloaded with detainees coming off, and they had those famous orange jumpsuits, and they were handcuffed and they had on blackout goggles and earmuffs and facemasks and gloves, basically to deprive them of most of their senses. I did not see any abuse, and my visits there have been many, but my visits at Guantanamo have all been under military escort, so I can’t see anything that they don’t choose to let me see when I’m there.
LitVote: When do you expect it to be shut down entirely?
Jess: Well, I have no information on that. The president said he was going to do it when he ran for office the first time in 2008. They recently reassigned the State Department official whose job was finding new homes for the detainees. I suppose the questions is whether President Obama wants to leave off in four years having accomplished that campaign promise from 2008 or having it be one of the things that is a mark on his report card as incomplete. (more…)
The 2017 Riverside International Film Festival is presenting Stu Krieger with its Lifetime Achievement Award in Screenwriting at their opening night gala on April 21, 2017
“I’m incredibly honored and flattered by this unexpected recognition from the RIFF,” says Stu Krieger.
Stu Krieger is a professor of screen and television writing in the University of California Riverside’s Department of Theatre, Film & Digital Production and in the Creative Writing for the Performing Arts MFA Program at UCR. Each fall, he also teaches the Producing the Screenplay class at USC’s Peter Stark MFA Producing Program.
“As someone who spent the majority of my career in family oriented film and television, it’s especially rewarding that the award ceremony on April 21 will feature clips of my work along with comments from current UC Riverside students talking about what my film and TV projects have meant to them over the years.”
Krieger co-wrote the Emmy award winning mini-series A Year in the Life and was nominated for a Humanitas Prize for co-writing the Disney Channel original movie, Going to the Mat.
Among his more than 25 produced credits, Krieger wrote the animated classic The Land Before Time for producers Steven Spielberg & George Lucas
He also wrote ten original movies for the Disney Channel, including Zenon: Girl of the 21st Century and its two sequels, Tru Confessions, Smart House, Phantom of the Megaplex, and Cow Belles.
He has been a story editor and writer on Spielberg’s Amazing Stories and the supervising producer on the ABC Television series Jack’s Place. He served as the head writer and story editor of the animated preschool series Toot & Puddle on Nickelodeon in 2008-2009.
His first full-length play, Chasing Smoke, debuted in a staged reading at Garry Marshall’s Falcon Theatre in Burbank in July 2014. His short film script Bad Timing was produced by the UCR Department of Theatre, Film & Digital Production in March, 2016.
He is an Executive Producer of The Binding, a 2016 feature film written and directed by his son, Gus Krieger and also served as an Executive Producer of My Name is Myeisha, Gus’s second feature film which Gus co-wrote with UCR TFDP Professor Rickerby Hinds. Myeisha was shot entirely on location in Riverside in October 2016.
Stu Krieger’s first novel, That One Cigarette, a story of ordinary people making extraordinary ripples in the ocean of life, will be published by Harvard Square Editions in the fall of 2017.
Across the globe, a collective freak-out spanning the whole political system is picking up steam with every new “surprise” election, rush of tormented souls across borders, and tweet from the star of America’s great unreality show, Donald Trump.
But what exactly is the force that seems to be pushing us towards Armageddon? Is it capitalism gone wild? Globalization? Political corruption? Techno-nightmares? [more via the Institute for New Economic Thinking]
Foreword Reviews has chosen migrant novel How Fast Can You Run by Harriet Levin Millan and cli-fi/eco novel Mr Green Jeans by Chris McGee as INDIES finalists, ahead of the final selection, to be made in three months. Both debut novels, published by Harvard Square Editions, deal with social and ecological themes.
INDIES finalists are moved on to final judging by an expert panel of librarians and booksellers curated specifically for each genre and who will determine the books who will be named Foreword INDIES Book of the Year Award winners. Winners in each genre—along with Editor’s Choice winners, and Foreword’s INDIE Publisher of the Year—will be announced during the 2017 American Library Association Annual Conference in Chicago on June 24, 2017.
The Iranian and Kurdish Women’s Rights Organisation named lawyer and author Abda with a ‘True Honour Award’ Honouree for her work on women’s rights. Harvard Square Editions published Abda’s debut novel Stained, which has won acclaim for its depiction of a young woman struggling for her right to an education and to consent in all its forms.
Diana Nammi (left), the founder of IKWRO with Abda Khan (right)
Following the publication Stained, Abda has done much to raise awareness about the help that is available for victims and Survivors of “honour” based violence in media interviews, book launches, literary festivals, schools, universities and charity functions in Birmingham, Leicester, Yorkshire and New York, Los Angeles and San Francisco.
Abda also writes short stories and guest writes for several publications, raising the profile of “honour” crimes. Her short story ‘The Lonely Path’ and poem ‘Forced’ were published by sister-hood.com and have been featured by AHA Foundation.
Abda volunteers for Birmingham & Solihull Women’s Aid and in particular helps “honour” related and forced marriage cases.
“Khan has written a contemporary Tess of the D’Urbervilles, a heart-wrenching and engrossing tale that challenges the definition of morality through the story of a wronged young woman fighting to come to terms with harsh realities and finding empowerment along the way.”
Stained, by Abda Khan
Release date: October 3, 2016
Genre: Crime, Romance, Thriller
I was elated. By an act of fate, I was scheduled to talk in Washington, DC. I’d been attending the conference for over 20 years, but this would be the first time that the conference would be located in the eye of an American political storm of this magnitude. Participants from all 50 states would find themselves in Washington during Trump’s first 100 days…[more from the Smart Set]
Farewell to Modernism: On Human Devolution in the Twenty‐First Century is an original, pathbreaking, revolutionary, and totalizing critique of received Modernist ideas, including Modernist Utopianism. In that vein, it unseats virtually every dearly held myth of EuroModernist discourse. It offers a new episteme based on our true ontic nature—our anthropic species‐being—as an offset and correction to all brands of EuroModernist idylls, be they of Left or Right, that have repeatedly brought the world to the brink of annihilation. In sum, this book argues that neither philosophy nor social science are tenable without a true, realist anthropology of the human species that sets limits to both poli cal idealism and social engineering.
“The book you are holding in your hand Farewell to Modernism is a very important book…the bottom line is this: read this book, take your me, think out of the box (straitjacket?) of Euromodernism, and this will change your life.”
—Amit Goswami, Theoretical Quantum Physicist, Emeritus Professor, University of Oregon
“Rajani Kanth has been denouncing for a long me the analytic misunderstandings and moral misdeeds of Eurocentric Modernism. He has done this forcefully and with great consistency. This book puts together the en re case. Whether one agrees with his theses wholly, partially, or not at all, these are propositions with which one must seriously engage if we are to make our way to a be er world.”
—Immanuel Wallerstein, Yale University
Professor Rajani Kanth is an economist, a philosopher, and a social thinker. His major research interests lie in the fields of political economy, social theory and policy, and women’s issues. Over the course of three‐plus decades, he has taught in the areas of anthropology, sociology, poli cal science, history, economics, and philosophy. Currently based at Harvard University, he has served as an advisor to the United Nations in New York and on the faculties of prestigious universities around the world. His most recent book is The Post‐Human Society (2015).
These days, it is minimally staffed and funded firms who invest in new authors. The giants avoid such risk, only picking the writers once their names are made
Independent publishers have existed since the 19th century; it wasn’t until the 20th and the 21st that we saw the industry dominated by a few corporations. “The Big Four” publishers – Simon & Schuster, Penguin Random House, Hachette and HarperCollins – have grown big by buying up small publishers. Hogarth, for example, was founded by Leonard and Virginia Woolf in 1917; now it is an imprint at the Crown Publishing Group, which is in turn a part of Penguin Random House – which itself used to be Penguin and Random House before their merger in 2013. Phew.
Some success stories have already been written about, both on the Guardian and elsewhere. His Bloody Project, published by Contraband – a imprint of Saraband, which is run by two people – was nominated for the Man Booker prize, for example, and Transoceanic Lights by S Li was published on a shoestring budget by Harvard Square Editions and named as one of the National Book Foundation’s Five Under 35. (…more)
S.Li’s debut novel Transoceanic Lights, Harvard Square Editions, 2015, chronicles the hardships of a Chinese family after immigrating to the US. China-born author S.Li, graduated from Harvard College and took up creative writing as a hobby when he was in medical school. Now he has a dual career, as a neurologist and as an award-winning author.
“A tender and persuasive portrait of Chinese-American immigration in the post-Mao era.” —Pleiades Book Review
HSE authors from left: Abda Khan, S.LI, Harriet Levin Millan
Transoceanic Lights was selected by an author who won the award last year, Karen Bender (below, right, with Harriet Levin Millan, left, author of How Fast Can You Run, Harvard Square Editions, 2016). Next year, S.Li will select a ‘5 Under 35 Award’ winner.
“For me it was especially wonderful because I got to meet other HSE authors!”says HSE author Harriet Levin Millan, pictured left. “What a treat to actually meet them.” With Harriet pictured below, are New York Foundation for the Arts Fellowship in Fiction and a National Endowment for the Arts Fellowship in Literature winner Kelvin Christopher James (People and Peppers, Harvard Square Editions, 2015), center, and debut author Abda Khan (Stained, Harvard Square Editions, 2016), right.
The HSE authors and the other ‘5 Uner 35’ winners will also attend the 67th annual National Book Awards, hosted by Larry Wilmore, live on Facebook, Twitter, and at nationalbook.org, are November 16th, 2016 at New York’s Cipriani (below, left).
5 Under 35 Award winners, photo via Publishing Trendsetter
At the time I’m sitting here writing–Friday morning, November 4th, 2016–people from all over this country have converged on North Dakota in an effort to stop the Dakota Access Pipeline. Many of those people are Native Americans, whose ancestors endured the very worst colonialism had to offer. All of them are risking arrest to be there; many of them are risking life and limb as well.
These people are protesting the destruction of ancestral burial grounds, yes, but they’re also putting their bodies on the line to stop yet another hugely destructive oil pipeline from polluting our waters and our skies, in a way that cannot be undone in our lifetimes, or even those of our grandchildren…[more]
Susan DeFreitas’s fiction, nonfiction, and poetry have appeared in The Utne Reader, Southwestern American Literature, The Nervous Breakdown, Story Magazine, and Fourth River, among other publications. DeFreitas lived in the high country of central Arizona, where Hot Season is set, for fourteen years, and covered topics related to the environment and green technology until 2009, when she moved to the Pacific Northwest. Melanie Bishop, writing for Huffington Post Books, called her “a spokesperson for our times.”
It wasn’t an ordinary book launch. The real life characters I fictionalized in my novel based on the life of Michael Majok Kuch, How Fast Can You Run (Harvard Square Editions, October 28 2016) were in attendance.
I got the chills just looking around the room and seeing them. They included my protagonist, South Sudanese national, Michael Majok Kuch, his American parents, two of his former employers and several other friends and S. Sudanese immigrants. However, in order to write a compelling work of fiction, I needed to invent them as characters with different physical features, names and personalities than they had in real life. All good fiction is expressive of an imaginary realm of being, and that’s the great paradox. The more invention a writer can imbue into a scene, the more truth it holds.
The launch was held in Drexel University’s Pearlstein Gallery, 3401 Filbert Street, Philadelphia, PA concurrent with the gorgeous textile exhibit “Warp and Weft” by PEW Fellowship winner, Caroline Lathan-Stiefel. HavingHow Fast Can You Run’s real life protagonist and his friends in the room, helped the audience to experience how special it was for me to have worked with Michael. For three years we sat side by side on his couch while the afternoon light turned to dusk and I tape recorded his experiences. Afterward, I would go home, write a scene, come back the following week, show it to Michael to be certain that I did not make any historical errors, and if I did, revise it. I became a witness to Mike’s life. I learned how the UN dropped food bags from airplanes too close to the people running toward the food, which landed on several refugees and killed them. Or how boys in Kakuma Refugee Camp constructed soccer balls out of bloody surgical gloves wrapped in twine and covered in torn socks. These are details that no history book contains.
Drexel’s Africana Studies Director, Alden Young moderated the panel that both Michael and I participated in. When Dr. Young asked how the book came into being, I described the snowy January day that One Book, One Philadelphia’s director called me on the phone and invited me to choose ten of my undergraduate creative writing students to interview ten Sudanese refugees for a One Book writing project. These interviews were serialized in Philadelphia’s City Paper. Among the students who conducted the interviews was Deborah Yarchun now a rising playwright living in New York City. Michael was the first person we interviewed. Soon after, Michael, still a college student, asked me to write a book about his life. The moment I met him, I was overwhelmed by his brilliance and his buoyant spirit, which enabled him to overcome the trauma of fleeing his village in South Sudan at the age of five and live in various refugee camps for the next ten years before receiving political asylum to the US. So when he proposed that I write a book about his experiences, I jumped at the chance. Myself, a grandchild of refugees, I recognized the importance of telling Michael’s story so that it would not be forgotten the way my family’s history has been wiped out.
When Dr. Young asked how the book’s title got chosen, I explained that the reason Mike and I decided to title the book, How Fast Can You Run, was because we wanted people to stop seeing refugees as other and that we wanted people to understand that the unspeakable could occur at any moment to any one of us. At that point, Kuch explained how the book’s title particularly resonates with him.
“Being a refugee,” he said, “means having to always catch up.” Besides its references to fleeing, he described how the title portrays his feeling, once he came to the US in 2000 of trying to keep pace with the people around him and having to work extra hard to stay ahead.
Michael, who now works as a Research and Policy Advisor in the Office of the President in Juba, South Sudan, will be appearing with me on our book tour. We will be speaking at several other universities, schools, Pittsburgh’s City of Asylum, synagogues, book clubs and other organizations. Once Michael returns to South Sudan, Charter for Compassion will be sponsoring a Global Read via phone conference on Feb. 22, 2017 with the two of us. Besides the Drexel Panel, we will participate in a panel moderated by Dr. Derrick Kayango, CEO of the National Center for Civil and Human Rights, Atlanta on November 17th at the Book Festival of the MJCCA.
The National Book Foundation, which presents the National Book Awards, launched its 5 Under 35 program in 2006 to highlight the work of young literary talents; this year each writer gets a $1,000 cash prize and will be invited to participate in public readings.
Many past 5 Under 35 honorees have gone on to further acclaim. Nam Le’s short story collection “The Boat” won the international Dylan Thomas Prize; Tea Obreht’s novel “The Tiger’s Wife” took the Orange Prize for fiction; and two honorees, Dinaw Mengestu and Karen Russell, were each later awarded MacArthur Fellowships….
One of those writers this year is S. Li, who took up creative writing as a hobby when he was in medical school. The 31-year-old neurologist’s debut novel, “Transoceanic Lights,” was published by Harvard Square Editions, a small independent press.
“I had sent the book to the National Book Foundation for consideration for the National Book Awards, fully knowing that my chances were zero,” Li said from his home in Burlington, Mass. When he received the email informing him he’d been chosen as an honoree, “I thought it was a scam. And then I realized it wasn’t. I had no idea this was even in the cards.”
Li’s novel, about a Chinese immigrant family, is based on his own childhood. He was 5 years old when his family moved from Guangzhou, China, to Boston.
“I was sort of teaching myself the craft of writing,” Li said of his years writing fiction while also learning medicine. “And so it just made natural sense to go with material that comes easiest to you, and that’s your childhood.”
Li is one of two immigrants honored in this year’s program. Yaa Gyasi, author of the critically acclaimed novel “Homegoing,” was born in Ghana and moved with her family to the United States when she was 2. [more]
SPOTLIGHT ON UDAY MUKERJI, AUTHOR OF LOVE, LIFE, AND LOGIC; COMING TO A BOOKSTORE NEAR YOU ON NOV 29
Set in Exotic India, Singapore, and in Central Europe, Love, Life, and Logic captures the individual struggle of a young man against the seemingly unnamed, unknown, anonymous power of the universe. In a shocking revelation of his innermost thoughts, the book depicts a painful account of his emotional turmoil arising out of his own confusions and dilemmas, and his personal developments through all that.
Rohan grows up in a middle class family in a small town in Goa, India. He asks himself many life questions like we all do every day. Is our life and death an end in itself, or do they have a much deeper implication in a gigantic universal process? Is each human life also someway connected to the chain of events unfolding every day in front of our eyes? We all have different thumbprints; but why? Are we all a part of big numbers game, or does each one of us really matter? Chased by these and many such questions, Rohan leaves his lucrative job and his family in search of the truth. The journey gets complicated when he meets Adeline, a 23-year old vivacious girl in Vienna. Love, again? That brings him back to question his failed marriage. Is marriage an end of the road for love? Do all marriages come with an expiration date?
It’s the search and the road leading to his final realization that makes this book insightful and thought-provoking.
We read fiction to escape from reality, right? So why would one want to write about such a controversial, hot-button topic as the environment in their fiction?
Fiction can explore many things—many topics, issues, and instances of life. A novel like Frazen’s The
Corrections explores middle-class lives in the midst of a changing economy; Truong’s The Book of Salt explores Vietnamese identity and diaspora; DeLillo’s White Noise explores the quotidian ephemeral of distraction and white noise of daily life.
With so many potential topics to write about, why am I advocating one above the others?
Well—it’s important. In fact, it may be the most important issue of our time.
The environmental health of our planet both transcends and unites humanity together. That’s right, we’re all in this together and it’s bigger than us.
But why fiction?
Fiction is a forming and shaping of mindstuff through the sieve of imagination. Mindstuff, as I term it, is the material we use when we write fiction. Our stories aren’t creatio ex nihilo, but from something.
Certainly the environment, conservation, global warming, and green energy are topics which—even if we
were to actively try ignoring them—come up again and again. Environmental news is all around us. To think about the world today means thinking about the environment. Ergo, to write about the world today means writing about climate change.
Not that there aren’t other worthy topics. There are. And those should be explored too. But it could be argued that it is only climate change and the environment that are universal to all peoples of all nations.
Fiction also gives us a story. It allows us to explore the themes of human impact and human reaction to a damaged ecosystem. Stories can move us. Stories can tell deeper truths about humanity and its relationship with the Earth—the adage fiction tells truth with lies applies here. And, done well, it can tell truth in a deep and insightful way without climbing up on the proverbial soapbox.
That’s why we need fiction that talks about climate change. That’s why we need fiction to explore the complicated history of humanity and environment. That’s why we need fiction to imagine a future for us. We need these stories to compel us to look around at our world now and help us realize our own part in the reality that drives the story.
Yes, we need fiction—books, short stories, tales—to run imaginatively with the issues of our day. Because fiction can effect change, can help us look closely at the complicated issues of our day, and help integrate these topics into the social mindset without the divisiveness that even the best journalism and news headlines inevitably and instantly generate.
This isn’t to say that journalism and non-fiction about environmental issues aren’t important—they are. They are, in fact, the stuff we wrench from reality to make our fiction. Non-fiction is the number one source of our eco-topical mindstuff. We need that research to fuel our fiction as much as we need it for our activism: statistics, photographs, interviews. Fiction, using all of these, works in tandem with activism. Fiction adds to the equation its ability to touch a deeper psychological part of our brains. Make these concerns come through with the books and stories we write and we will help reach more people with a love for the Earth and a worry for what is happening to the Earth.
That’s why I wrote Descriptions of Heaven; rather, I let my concerns about the environment express itself
in my book. Yes—it’s a book about a linguist, a lake monster, and the looming shadow of death. But it’s also about the Earth and ecological catastrophe. How far can we go before there’s no going back? And what if we do go too far—what do we, as humans, believe will follow when all is ruined? Can we really give up and let it get to this point? These are the questions my novel poses. But these aren’t the only questions or only environmental topics that can be explored. There’s so much more yet to be written.
We need more quality fiction about the environment. The environment needs more quality fiction. We the writers need to let our worries, our anger, and our love for the Earth find its way into our words.
The epic tale of two teens in a fight to save a warming planet, the universe . . . and their love, received an Honorable Mention at the 2015 New York Book Festival. The panel of judges determined the winners based on the story-telling ability of the author and the potential of the work to win wider recognition.
“Nature’s Confession by JL Morin: The eco-novel is wonderful and reminds me of classic science fiction I watched or read as a kid. It was a genre that fascinated me then, and this book has joined that memory. The novel is epic in that it doesn’t just tell a story (which it does do too), but it puts our very survival into question while romping through the universe or discovering new quantum physics that are both scientific and spiritual in nature. In the meantime, universal symbols are unearthed, codes are investigated, fat corporations are dominating, a romance is blossoming, computers come alive, and native tribes and Nature on another planet bring our own treasured past into the future.”
A bowl full of bronze nails for Charles Degelman: his new novel won a bronze medal in the Independent Publishers Book Awards. The “IPPYs” are intended to bring increased recognition to the thousands of exemplary independent and university titles published each year.
Shedding Skin: A Writing Professor Bares His Alter Ego
Charles Degelman teaches dramatic and narrative writing at California State University, but he’s spent most of his life outside academia. As a student at Harvard, Degelman and many of his peers became aware that America’s universities had become land-grabbing, ivory-towered, defense-research factories while outside their ivy-covered walls, there was a war to stop.
In this brief interview — produced and directed by Daly, a student in the university’s Television, Film and Media Studies program — Degelman drops his role as writing teacher to speak about coming of age in the 1960s and his participation in the resistance movements artistic collectives and communes, and the counterculture that arose— in the words of Bertolt Brecht — from those who practice their art “under the regime of bourgeois liberty.”
Charles stepped away from academia, determined to change the world through theater, music, and fiction. “It was a tough job,” he laughingly recalls, “but somebody had to do it.” He left campus life to pursue an anti-career as political activist, actor, musician, writer, carpenter, gypsy trucker, and utopian anarchist.
Years later, Degelman returned to university life, hoping to pass on what he had learned about resistance and the power of art as a tool for social change. In every class, a handful of students took notice and began to ask questions that lay beyond the purview of diction, grammar, and syntax. Cal State University’s Mathew Daly was one of those curious students.
Authors including David Almond, Frank Cottrell Boyce and Katherine Rundell plus teen site members share the books that made them think more deeply about climate change and environmental themes. Now share yours!
This week we’re celebrating the positive power of stories, all kinds of stories, to bring home what we risk losing on our beautiful planet – and what we can do about it. Here authors and children’s books site members share the books that made them think. We’ll be feeding this blog with more recommendations all week, so please share yours – and keep checking back.
The book that made me realise that I was part of the environment was The Ladybird Book of Saints. On the cover was this brilliant image of St Francis releasing the caged birds he had he had bought in the market. For ages afterwards I would go into pet shops and zoos and itch to unlock the doors. In fact there are “freeing the animals” scenes in at least two of my books. There are so many environmental messages about how horrible humans are wrecking the planet – that’s obviously true in a way but this image made me feel that I belonged in the World too and that I could cherish and love it.
The Promise by Nicola Davies and Laura Carlin. It’s beautifully written, beautifully illustrated picture book. It shows a troubled darkened world being recreated by the human need for greenery, life and colour.
Margaret Atwood’s Oryx and Crake is a speculative fiction novel that is very much concerned with the damage humans are inflicting upon the environment and the possible catastrophic results that could have. Written in 2003, many plot points now seem eerily prescient and it makes for a disturbing, powerful read. Highly recommended for older teenagers.
Site member, Patrick
Carl Hiaasen’s Hoot is true to its name in that it’s a supremely funny YA novel, and one that tends to be overlooked. There’s a real environmental streak running through all of Hiaasen’s works and Hoot is no exception, it deals with a Florida teen who bands together with a couple of new friends to stop the destruction of a burrowing owl colony. It’s a lot of fun with a solid conservationist message at its core and an abundance of charm to boot.”
Long ago I wrote a short story called How to Build the Perfect Sandcastle for Under the Weather, the climate change anthology edited by Tony Bradman. About a white sand beach losing its sand because the sea is heating up … the same hot oceans that later whipped up the murderous monster that was Typhoon Haiyan in 2013.
Perhaps the all too real climate change disaster in the Philippines has made me partial to flood stories. My favorite is Not the End of the World, the lyrical resetting of Noah’s Ark as a Tsunami survival story by Geraldine McCaughrean.
Lottie Longshanks, site member
The wild series by Piers Torday. So far I have read The Last Wild and The Dark Wild. Kester has the unusual gift of communicating with animals and it is his mission to save the animals from red eye the disease that is slowly killing them. It is a really exciting story and you soon guess who the villains are Selwyn Stone and his lackeys who want to dictate the way that everyone lives. The amazing rubbish dump in the second book in the series really makes you think about the damage that we are doing to our planet. I can’t wait to read the third book in the series,The Wild Beyond.
White Dolphin by Gill Lewis Set in the south West of England the exciting story tells of children who take on the might of a powerful fishing business to stop dredging in the harbour because of the damage it does to marine life. I also love Moon Bear by Gill Lewis. This incredibly moving story shows how deforestation leads to misery for the animals whose habitat was the forest. And finally here is a recommendation for small children I read it to my cousin who lives in Oman when he comes to visit us. Dear Greenpeace by Simon James. Emily writes to Greenpeace to find out how to care for the whale that she thinks she has seen in her pond. Emily’s letters and the lovely replies she receives from Greenpeace will give little children a lot of information about whales. (Also see Lottie Longshank’s poem Our Precious world)
SF Said, author of Varjak Paw
I recommend Exodus by Julie Bertagna: a brilliantly prescient YA novel about climate change, set in a drowned future world. It’s full of unforgettable visions and characters, and it will stay with you forever!
ItWasLovelyReadingYou, site member
My book would be Breathe by Sarah Crossan. It made me think about how we take so many things for granted, such as oxygen. You can’t see it, we use it every day, without it we would not survive; yet many people do not really sit down and feel a sense of gratitude for these types of things, becuase we assume we deserve them, we see them as something that will never go away, we just accept it without question. Breathe really made me feel a sense of ‘imagine if we didn’t have oxygen, or we had limited supplies of it-”, it made me question my unconscious detachment from what keeps us alive, and really feel privelidged to have all of these necessities.
Cosmic, by Frank Cottrell Boyce. Cosmic is a book that makes the world look like something worth protecting. It’s hilariously funny, and also wise – it makes its readers want desperately to go into space, but also to take care of the world while we’re on it. The Earth is, as one of the astronauts says, “some kind of lovely.” The Last Wild series by Piers Torday – these three spectacular books are about a world decimated by humans, and the possibility of that loss feels very real and urgent and frightening – and they’re also fantastic adventure stories, about bravery and animals and human capacity to do huge good as well as harm. And there’s a bossy talking cockroach.
For me it has to be The Ring of Bright Water Trilogy by Gavin Maxwell. I fell in love with these books as a child because they are set on the West coast of Scotland – a place I love – where wildlife and nature are the biggest characters. It;s a humbling landscape. If you have a love of the outdoors and really want to study the nature of beautiful, playful otters… and can stand to have your heart broken …. you should read these stories. Although they were written 50 years ago they are as timeless as the shingle beaches they are set on. The author lived and breathed the paradise he went to live in… and so will you when you read these books… and afterwards you can watch the film (tissues at the ready!)
OrliTheBookWorm, site member
Breathe by Sarah Crossan is probably the book that’s impacted me the most in terms of the environment – it’s a dystopian novel, with people living in domes due to a lack of oxygen – the raw descriptions and harsh realities were wonderfully done and uttery thought provoking, and made me take a step away from my laptop and have a look outside my window…. It’s a brilliant book, which I guarantee will change your perspective on the environment around us.
The Animals of Farthing Wood by Colin Dann – the original classic tale of a group of British animals seeking refuge when their precious Farthing Wood is threatened by human development. They overcome incredible obstacles and danger to make it to a wildlife sanctuary. But reading it today there is an extra poignancy – some of the animals in the story, like the red-backed shrike, are now extinct, and others – like the adder, hare and voles – are all under threat.
BritishBiblioholic, site member
Watership Down by Richard Adams – When the rabbits in Watership Down are forced to leave their home, it is due to its impending destruction by humans. This potentially can be seen as an allegory for the ongoing destruction for the environment in general – and unlike the rabbits, if we don’t save our environment, we won’t be able to find somewhere else to live.
One of my favourite books about the environment is Oi! Get Off Our Train, a brilliant picture book by John Burningham. It’s about a boy who dreams he’s travelling around the world on his toy train, and each time he stops he picks up animals from species that are endangered because their habitat is being threatened or has been destroyed. Great pictures and the message is delivered with a lot of fun.
The Last Wild by Piers Torday – it’s rare for a cli-fi novel to be magical, engaging and affecting, but Torday achieves all of these things. Not only that, but each book in the trilogy gets better. He’s not a writer to watch but one we are already keenly watching.
Please share the book that made YOU think about the environment and climate change and we’ll add it to this blog. You can either email on firstname.lastname@example.org with the heading “eco books” or tweet@GdnChildrensBks.
Beatrice, on email
The Word for World is Forest by Ursula Le Guin for fairly sophisticated young readers from about age 13. The indigenous social organization of the very green planet experiencing colonization therein was fascinating, and opens young minds up to understanding the profound disruptions experienced by, as well as the important teachings of native peoples everywhere. Also, The Owl Service by Alan Garner gave rise to surprising conversations with my 10 year-old about landscape, and the connections between culture, history and the environment, as well as the importance to humans of preserving those connections. For much younger children The Giving Tree by Shel Silverstein can seem a little odd viewed from a conservationist perspective, but it inspired lovely conversations about nature and environmental stewardship (“us taking care of nature because nature takes care of us”) with my 4 year-old. Anything by Jean Craighead George.
Memory of Water by Emmi Itäranta: The novel takes place in the future after climate change has ravished economies and ecologies, and made fresh water scarce. The main character, Noria, is a young woman learning the traditional, sacred tea master art from her father. Yet, water is rationed and scarce in her future world. Her family has a secret spring of water, and, as tea masters, she and her father act as the water’s guards, even though what they are doing is a crime according to their future world’s government, a crime strongly disciplined by the military.
Nature’s Confession by JL Morin: The eco-novel is wonderful and reminds me of classic science fiction I watched or read as a kid. It was a genre that fascinated me then, and this book has joined that memory. The novel is epic in that it doesn’t just tell a story (which it does do too), but it puts our very survival into question while romping through the universe or discovering new quantum physics that are both scientific and spiritual in nature. In the meantime, universal symbols are unearthed, codes are investigated, fat corporations are dominating, a romance is blossoming, computers come alive, and native tribes and Nature on another planet bring our own treasured past into the future.
Tito intiro Chavaropana by Jessica Groenendijk: Tito intiro Chavaropana means ‘Tito and the Giant Otter’ in Matsigenka. The author, a biologist who has studied giant otters, is now working on a sequel, in which Tito sets off into the forest to hunt a spider monkey and meets a harpy eagle on the way. They become friends but not without a misunderstanding or two! Spirit Bear by Jennifer Harrington: Spirit Bear celebrates a rare and iconic black bear that is born with a recessive gene that makes its coat creamy or white. Also called the Kermode bear, the spirit bear lives in the delicate, rich, and threatened ecosystem of the Great Bear Rainforest in British Columbia, Canada. Jennifer’s story is about the journey of a spirit bear cub that gets lost from his mother and has to find his way back.
LitPick interviews the author of Haw, a Novel by Sean Jackson, for Six Minutes with an Author! While Haw is Sean’s debut novel, he has published numerous short stories in literary journals. He was an award-winning North Carolina Press Association journalist for Cox Newspapers in North Carolina for 12 years. Sean was also a 2011 Million Writers Award Nominee for his short story, ‘Not Even Jail’.
How did you get started writing?
I wrote a long story when I was twelve that was about sports and growing up. It was terrible, but when I got into high school I began writing poetry, which I continued into college. After college I picked up writing short fiction again, then spent twelve years writing news stories for newspapers. I didn’t write fiction when I was a journalist. There just wasn’t time. But it all goes back to that summer when I was twelve, when my parents bought a typewriter and I needed something to do.
Who influenced you?
Early influences were the typical H.G. Wells and Jules Verne. More recently I have been influenced by Raymond Carver and Annie Proulx. I wrote Haw while thinking about George Orwell and Albert Camus.
Do you have a favorite book/subject/character/setting?
My favorite book is William Faulkner’s Light in August, which also includes the closest thing to what I would consider my favorite character, Joe Christmas. I’m intrigued by the idea that he may be both the book’s villain and its protagonist.
What advice do you have for someone who wants to be an author?
Of course have an outline before you begin, but also edit as you go along. Continuously question what you’re putting into that first draft. And don’t be afraid to take chances that you think may make a reader uncomfortable. Your job is to surprise the reader, in addition to entertaining. So be bold.
Where is your favorite place to write?
Don’t tell my boss, but I love to write at work. The distractions are minimal and for whatever reason my mind is able to sharpen its focus onto what I’m typing. It’s hard to explain. I know William T. Vollmann has said he used to write at work when he was just starting out. Maybe it has to do with the boredom of working a desk job, but for me it just works.
What else would you like to tell us?
When I read Orwell and Aldous Huxley’s Brave New World, I didn’t realize just how deeply their messages, their warnings about how society should heed its limits and responsibilities, had tunneled into me. But when I wrote Haw, it all came back to me. While I don’t think my book is rightly compared to their works, I really appreciate that I had the opportunity to read them and other conscientious writers when I was younger.
Last week I went to the Virginia Festival of the Book — as an author. Held over four spring days right in my beautiful hometown of Charlottesville, the annual event brings together writers and readers from all over the country in a non-stop celebration of the written word. Surrounded by others who share a love of story and cadence, attending is basically like getting to go to summer camp for English geeks.
In informal get-togethers and panel discussions I talked process and publishing, plots and characters. I met a poet who beta tested potential titles for her collection and I picked up tips about social media. Who knew the goal was to have exponentially more followers than followees – requiring an illusory reciprocity and then a ruthless culling of the herd?(Yuck.) With relief I also learned that book selling often comes down to word-of-mouth.
The festival panels ranged from politics to memoir, short stories to crime waves. I was included in one called “Perfectly Imperfect: Novelists on the Modern Family.” Or, as I like to think of this particular grouping of related individuals: The motherlode of fiction.
Sarah McConnell, the unflappable host of the public radio show With Good Reason, moderated — and was so excellent I pretty much forgot I was feeling slightly throw-uppy about facing an audience. (Actually, Sarah’s introductory remarks made me laugh so hard I came perilously close to spitting coffee out of my nose.) She set the tone for a really relaxed exchange between a roomful of book/Nook/Kindle worms and three writers addressing the vagaries of family life.
It was an honor to read alongside Martha Woodroof (Small Blessings) and Sonja Yoerg (Housebroken) at the local Barnes and Noble. Martha’s huge-hearted novel deals with a family on the threshold of tomorrow; Sonja (who holds a PhD in biological psychology) weaves the shadow of the past onto the next gen, and my ownnovel explores the ups and downs of muddling through.
It was a great afternoon.
If you have the chance to participate in a literary festival: Do it. There’s a reason why summer camp is so popular.
We do a lot without thinking, like using GDP growth as a standard of excellence. Most 21st century activity is based on a ‘given’ that underpins the soft science of economics: ‘Growth is good’ — not just a big assumption, a wrong assumption. Pudding with no proof.
Let’s face it, the economic crisis was good news for the environment. Greenhouse gas emissions dropped by half during the economic low point in 2008.
‘Sustainable Economic Growth’ is an Oxymoron
Senior Economist at the World Bank, Herman E. Daly and Dr. Kenneth N. Townsend have proven that we can’t grow our way out of poverty and environmental degradation. Sustainable economic growth is impossible, since the economy is an open subsystem of the Earth’s ecosystem, which is finite, non-growing, and materially closed. As the economic subsystem grows, it engulfs more and more of the ecosystem in which it exists and is bound to reach a limit when it ‘incorporates’ (their word) 100 percent of the ecosystem, if not before. Thus, the economy’s infinite growth is by Nature not sustainable.
“Each of the plants in that garden is actually fighting each other for the space to grow
I encountered an enlightening microcosm of growth while strolling through a Sogetsu Ikebana exhibition listening to spectator comments.
“When we are in a beautiful garden, we feel happy, but what we don’t realize is, each of the plants in that garden is actually fighting each other for the space to grow. And some plant species are actually at war with others,” says author Rene Bersma, observing an arrangement by his wife, Atsuko Bersma, Ikebana Sensei. “We just think it’s a beautiful, colorful compilation of flowers and bushes and everything together, and we sometimes don’t realize that some plants don’t like each other and fight for very valuable space.”
In that context, governments’ fossil fuel subsidies, which total $ 1.9 trillion annually according to International Monetary Fund reports, can be considered a weed choking sane investment. Not only do our governments give money to fossil fuel companies directly, but those same companies turn around and dump huge cleanup costs on society, a practice called ‘negative externalities.’
Three Things Worth Growing
There are selective things we would do well to invest in, like traveling with our minds instead of our bodies. Virtual meetings are where it’s at. Buying a round trip ticket for one seat in an airplane from New York to London puts as much CO2 into the atmosphere as a house does in a whole year, so we should look hard for ways to meet virtually, rather than flying around.
If you want to know what the next big trend is, ask kids. They’re usually on to something. Virtual book tours have been popularized by young adult sites like, LitPick, an American Association of School Librarians’ award-winning Best Website for Teaching and Learning. The virtual book tour is the same concept as flying from city to city doing readings in bookstores, but instead of flying around, the author tours from blog to blog. That smacks of so much common sense, it’s no wonder so many older adults are turning to the honor and purity of YA literature–the average age of a YA reader is now between 30 and 44 years old.
Authors on virtual book tours can stop for an interview with LitPick Co-founder Gary Cassel, where they talk about everything from what inspires them to write books to sharing the Earth with their animal friends. LitPick even has an environmental shelfwith over 270 great pre-teen and teen books on it. This unique site allows students to read new and advance books they get for free and then write and publish their opinions about the books. “The opinions of students about books written for them are very powerful and compelling, more so than adult reviews of preteen and teen literature,” says Gary. “We also help promote better writing by giving students feedback on their reviews.”
The next activity worth selecting to grow is the wearing of super-warm onsies. Why go out when you can stay home in your hot pajamas and turn down the heat? This piece of clothing comes in all shapes and sizes, from serious to silly, complete with nightcap hoodie, and will erase years off your heating bill.
The third thing is so retro it hardly needs explaining. It has to do with modifying that bicycle collecting dust in the basement so it can haul groceries and ride in the dark. People who sit all day have an increased risk of death. With a third of the U.S. officially obese, investment in physical activity can only result in positive shrinkage.
I’m going to put on my onsie, stay home, and catch the darling of the Traverse City Film Festival, ‘Two Raging Grannies‘… standing up.
Love’s Affliction by Fidelis O. Mkparu, Released March 17, 2015, ISBN 978-1-941861-00-4
Reviewed by Dr. Bessie House-Soremekun
Love’s Affliction, a novel written by acclaimed physician and cardiologist, Dr. Fidelis O. Mkparu, provides a refreshing and candid account of interracial romance and survival in a small town in North Carolina during the decade of the 1970’s.
This time period is particularly important given the fact that the United States had just experienced a major civil rights movement whose aim was the provision of equal opportunity and equal treatment for people of color and other disenfranchised members of this country. The decade of the 1970s, in particular, gave rise to the Black is Beautiful movement in America which sought to provide more opportunities for African-descended people in the United States to understand their African heritage and to identify with it in a variety of important ways.
“compelling and thought-provoking”
Given the fact that author Dr. Mkparu had the opportunity to be trained in Cardiology at Harvard University’s School of Medicine and to publish important articles in prestigious medical journals in the past, it is very impressive that he is equally comfortable and conversant with the world of the humanities and literature, as is demonstrated quite convincingly by the publication of this compelling and thought-provoking novel.
Love’s Affliction skillfully situates the topic of interracial dating and the “forbidden fruit” within the confines of what is was like to cross the racial line of romance in an academic setting in the Southern part of the United States. Although to some extent, Dr. Mkparu explores the critical role of agency in helping us to make critical decisions in our everyday lives, he also suggests that there are no easy answers to the challenges that many couples experience as they follow the paths of their hearts and have to navigate their survival on an ongoing basis within the much broader contexts of political, economic, and social conventions and external factors over which they often have little control. This book is a must read for people interested in learning more about the internal dynamics and complexities inherent in the process of crossing the color bar in America.
Reviewer Dr. Bessie House-Soremekun is Director of Africana Studies, Professor of Political Science and Africana Studies, and Founding Executive Director at the Center for Global Entrepreneurship and Sustainable Development, Indiana University-Purdue University, Indianapolis
billmckibben23 mins agoPipeline fighters in front of WH right now to say: No thank you, Keystone is as bad an idea as Trumpcare--and it's… https://t.co/nUBaEdFKuS
Push Back, Breathe, Repeat: A Brief Bio I recognize that I may be a tad more sensitive to the prospect of police state behavior than the average Jo but I come by this extra helping of unease naturally. Because of his liberal politics my dad, Marcus Raskin, earned a permanent spot on J. Edgar Hoover’s radar. Bigly. Dad was the frequent object of surveillance and dirty tricks. (He even had his own covert agent assigned to him when he worked as an adviser in the White House — something I discovered in college when I accidentally dated a guy whose father was that agent.) When the war in Vietnam escalated Dad and Richard Barnet, a disarmament expert, left the Kennedy Administration in protest. They founded the Institute for Policy Studies in 1963. Mr. Hoover’s paranoia was seriously stoked over IPS’s mission– the promotion of peace, justice and human rights. The domestic spying intensified. IPS was targeted by the FBI’s Counter Intelligence Program, or COINTELPRO, which was designed to ‘neutralize’ groups Hoover deemed subversive. Agents scurried through IPS trash looking for old mail and used typewriter ribbons (early key-stroke recorders) that might contain evidence. (They didn’t.) Scores of informants were tasked with infiltrating Institute seminars and highjacking meetings about antiwar events. With a goal of demonizing anti-war and civil rights activists, some tried to instigate violence. (As long as we are on the subject of malignant interference, I have serious suspicions that at least some of those who are committing vandalism as a means of protesting President Trump’s Read More... The post Push Back, Breathe, Repeat: A Brief Bio appeared first on erika raskin.
December 6, 2014 – Yang Huang launched her novel Living Treasures, a passionate quest for romance and justice, at Green Apple Books in San Francisco, CA, and will be reading at the San Francisco Public Library today. Having lived under the one-child policy in China, she imparts profound and moving wisdom.
‘To make a real change, even a small one, you cannot expect it to be passed down from the government, but rather, it needs to start with you and your actions.
An excerpt of Yang Huang’s talk:
I have a day job, working as a computer engineer at UC Berkeley. As a writer I have a rather optimistic worldview. I like to tackle big social problems in my fiction, put my characters under the test, let them suffer, and in their darkest and most despairing hours, let them use their ingenuity (much like an engineer), and find some sort of relief or solution, not a cure-all, but a way out, so that they can move forward to rebuild their lives.
Before I talk about my book, I want to tell you the inspirations for my story.
First, it was the panda. [Hold up the panda picture.] Who could resist a face like this? But do you know its secrets? Panda is bear, with the digestive system of a carnivore, thus derives little energy and protein from consuming bamboo, which is 99% of its diet. Pandas in the wild occasionally eat birds, mice, or fish if they can catch them.
To make up for the inefficient digestion, a panda needs to consume 20 to 40 pounds of bamboo every day. This affects its behavior. A panda must spend 10 to 16 hours a day foraging and eating. The rest of its time is spent mostly sleeping and resting.
Bamboo species flower periodically, every 30 – 120 years or so. All plants in a particular species mass flower worldwide over a several-year period. Flowering produces seeds, and bamboos die after flowering. The seeds will give rise to a new generation of bamboos, but it can take years to replenish the food supply for pandas.
When I was in middle school, we donated money to rescue the pandas from starvation, as bamboos mass flowered over large areas of the Min Mountains. It was one of the few fund raising events I ever had in China. The plight of cuddly pandas touched many young hearts. We wrote letters, essays, drew pictures, and told stories about these national treasures.
My book begins with a mother panda eating a chicken, so that she could survive the winter and nurse her cub.
Here we see the resilience of panda, and the girl who witnesses it.
My second inspiration is the student movement of 1989.
My heroine, Miss Gu Bao, her name sounding like “national treasure” in Chinese, grows up in the 80s.
It was a hopeful time, a liberal time. After the dark ages of brutal prosecution and censorship in the Cultural Revolution, many western thoughts were introduced and flourished in China. For the young people, it was sexy to be in a debate salon and wrangle over ideological issues. Before long, people began to demand human rights, freedom, and democracy.
[Holds up Qin’s picture]. This is Qin, my better half, during the heyday of the 1989 student movement. I didn’t have a picture, because people were still afraid of retaliation. Students began their protests at night, wearing facial masks to avoid being recognized or photographed. This might be mid-May, when the movement had gained so much support throughout China. It was “safe” to be seen as a “patriotic youth” rather than condemned as “a traitor conspiring to overthrow the government.”
Soon the situation escalated. The Tiananmen Square massacre came as a complete shock. To this day, we don’t know how many were killed on the dawn of June 4th. The official story was that no one died in the square. The propaganda machine in China wiped out every evidence of the demonstrations and subsequent crackdown.
My poor parents were grateful that I wasn’t in the Square that night. They told me to never speak of it. What good does it do, for the dead and living? My classmate, a hunger striker, dropped out of the university afterwards. I never heard from him again. Dr. Liu Xiaobo, the Nobel Peace Prize Laureate, is still imprisoned for speaking up about the Tiananmen Square massacre.
The student movement in 1989 was a defining moment of my generation. We experienced the hope, joy, and heartbreak of losing a historical opportunity. I reflected on the tragedy for more than twenty years. I would write a story about the students’ fight but with a more meaningful arc. There were many things leading up to the massacre and following after that, but that night, inevitably the focus of my story is just a starting point, a central metaphor for Bao’s tragedy. I didn’t want it to end on Tiananmen Square. It needed to be in rural China, where a lot of the injustice happened.
My third inspiration is the one-child policy.
May I see a show of hands? It doesn’t matter where you were born. [pause] Would those of you not firstborns please raise your hands? [Yang counts] That’s about a half of the people in this room. You wouldn’t have been born in China after 1976, if your parents hadn’t fought hard to save your lives.
Here is a little bit of history. In the 1950s, Chairman Mao, with a typical peasant mentality, banned family planning and encouraged women to have as many children as possible. The population grew from 540 million in 1949 to 969 million in 1979, nearly 80% of population increase within three decades. In the seventies the government tried to solve the population crisis by enforcing strict controls to slow down the birth rate. Aside from some minority groups, every couple could only have one child.
The problem is: local governments all had their own rules and regulations to enforce the policy. Some people lost their jobs after having a second child. Others were fined. Like many policies in China, there was abuse of power and corruption was rampant. In some villages, one-child policy worker team hired thugs to threaten and beat up people, force collect the fines, and even kidnap the women and their relatives. Some women had their full-term babies aborted. (If the drugs couldn’t kill, a nurse injected medicine on the baby’s temple when the mother was pushing.) Some women died from the brutal procedures, while others were forced into sterilization.
My fourth inspiration is a blind lawyer, Mr. Chen Guangchen.
While revising Living Treasures, I learned about Mr. Chen, a civil rights activist who worked on human rights issues in rural China. Blind from an early age and self-taught in the law, Chen is a “barefoot lawyer” who advocates for women’s rights, land rights, and the welfare of the poor. That was the career path that I planned for Bao, that she would mature into a grassroots activist.
To make a real change, even a small one, you cannot expect it to be passed down from the government, but rather, it needs to start with you and your actions. The victory isn’t achieved by the talks on Tiananmen Square but in every action you do, every person you help, and every sacrifice you make for the common good.
The students in 1989 appealed to the ruling class to change the corrupt system. It ended in the massacre. That’s no reason to give up. What if we don’t fight, but live our lives to the fullest?
Every person thinks s/he is free, despite what the government tells them, and live their lives like free people, take charge of their social responsibilities, and reach out to the less fortunate.
I know Bao could do this, because Mr. Chen did it with some success. In 2005, Chen organized a landmark class action lawsuit against authorities in Shandong province, for the excessive enforcement of the one-child policy. What an amazing achievement for a courageous blind lawyer!
In Living Treasures, village woman Mrs. Orchid already has a daughter. The one-child policy worker team forced her to have two abortions. When she gets pregnant again, she hides in a cave. There she meets Bao, who ended her pregnancy in order to continue her career as a law student. Bao is not impressed with Orchid at first, but she learns to admire Orchid’s strength and resolve to have her child. She ends up risking her own life to protect Orchid.
The ensuing violence is a metaphor for the Tiananmen Square massacre. But Bao is more fortunate than the students on the Square. With the help of her soldier boyfriend, she is able to rise from her tragedy and becomes a human rights activist. Her journey will not be easy, and she will suffer a great deal for her choice, but she has taken an important first step, not only for herself, but for 1.35 billion Chinese people who don’t have the political power.
You may ask why I wrote the story of a Chinese woman in English. There were several reasons. When I was a teenager, I was enthralled by the French writers, novels by Victor Hugo, Balzac, and Alexandre Dumas. Those stories from the faraway land seemed more realistic, vivid, and inspirational than the Chinese novels about the suffering in the Cultural Revolution. When I managed (believe me, it was hard) to put down the book and walked to the school, I no longer saw the tractors and oxcarts, motorcycles and bicycles in bright daylight but felt as if I were running down the dimly lit alleyways in Paris during the French Revolution.
Then I was able to rise above the peer pressure, that I wasn’t pretty, intelligent, or popular at a prestigious high school. I was a captivated reader. The story of French people translated into Chinese was devoid of clichés yet colored by passion. I grew up and named my first child Victor, after my idol Victor Hugo.
My 2nd reason was the censorship. My book would be banned, before it was even written in Chinese. I kept a blog in mainland China and learned many tricks to circumvent the internet censorship, [for example, using homophones to describe the taboo subjects]. Even worse is the self-censorship. A famous writer once said, “If you want to write honestly, you should write like an orphan.” I didn’t like being an orphan, so I’d say, “If you want to write honestly, write in a foreign language that your parents cannot understand.”
I came to the U.S. at the age of nineteen, graduated from college at twenty-one, and became a computer engineer. At twenty-three, I had a midlife crisis. I went back to school, while working full time, and studied literature and writing. It was very hard work. From day one I knew I would support my writing life by working as an engineer. What got me through two decades of apprenticeship was not the prospect of being published, though it was nice that I finally got published, but the firm belief that I was doing something worthwhile. Having a job is to earn my keep from the society, but writing is to give back to the community my soul, my struggle, and my faith in humanity and future.
Here is my 3rd reason to write in English: to communicate with people different from me—to educate them, entertain them, and affirm the values that we all hold dear: truth, love, courage, and selflessness.
In a small way I was emulating the masters: Victor Hugo, Balzac, and Alexandre Dumas. Likewise, I wanted to tell stories of the faraway land that make people forget the trouble in their own lives, just for an instant, look up and see a bigger world full of people, who look like strangers, as you look more closely, you’ll find they are just like you, with the same longings, fears, and ambitions. Their children and your children will inherit the same world after you are gone.
I got a lot of friendly advice over the years. They told me: You’re the first generation immigrant, and you’re a woman. You have to work and raise a family. You don’t have the luxury of chasing a dream. Wait until you are retired, your children in college, and then take your time to write. I didn’t take the sensible advice. Life is short. I’d rather multitask and fail, than wait and discover that my time has run out. If my life were a baseball game, I want to strike out swinging rather than strike out looking.
I never argued with the wise people who warned me that I might fail. I had nothing to prove. Just do it.
Writing is a lonely task. I found support in my friends and family. Just do it.
It didn’t matter if I failed or succeeded. I am only limited by my timidity, my prejudice, and my own imagination.
I told myself: Just do it. Keep doing it. And do more of it. Predictably, the wise people left me alone.
I got a BA, an MA in English and an MFA in Creative Writing. My life got more hectic after I graduated, but I kept on writing. I had children, and they slowed me down. I used to write a book in a year and half, but Living Treasures took me five years to write and five more years to get it published. If I were a hare before, now I am a turtle. I plug away patiently and take in beautiful sceneries on my journey. As I grow older, I have less time to write. I focus on the essentials, the emotions, and no longer cringe to cut my favorite passages in order to advance the story.
I learned much from watching my heroine develop and mature in the course of a novel. A young woman who wants to become a lawyer, Bao has so much to lose at the beginning: her virginity, her baby, and her career. When she’s confronted with evil, her conscience wakens. She takes a stand for what she believes in and risks everything in her life.
Do we have the courage to fight for our true believes? If we look deep inside, we’ll find a hero or heroine buried under the layers of politeness, the mundane, and the compromises.
If we are true to ourselves, that hero or heroine will awaken, summon their courage, elicit help, and open doors to new careers, new relationships, and creativities. Life is not merely a thing to be tolerated but celebrated. We become free even as we are trapped inside this transient shell, this small building, and this unjust world.
Publisher Harvard Square Editions is looking for literary fiction of environmental or social significance.
Its mission is to publish fiction that transcends national boundaries, especially manuscripts that are international, political, literary, sci-fi, fantasy, utopia and distopia. Send submissions of aesthetic value and constructive social or political content, especially manuscripts related to climate change, deforestation, and conservation.
Although many Harvard students find themselves too busy to read for leisure, an affirming amount of the student population collects books and reads for fun, amassing some pretty exemplary bookshelves in the process.
“We should probably tell her about competitive reading,” Coughlon says to Wilson. It turns out the pair’s massive collection isn’t just a hobby—it’s a full-fledged rivalry. Both friends use the website Goodreads to track what they’ve read. Wilson explains, “I’d started in high school, and was mean to Sarah freshman year about her reading habits, and it just so happened that Goodreads instituted a Challenge Yourself book-reading competition, and so we ended up not only challenging ourselves, but each other. We both read 100 or more books [that] year.” …[more via The Harvard Crimson]
Fresh from releasing “FALLINLOVE2NITE,” his latest single on Epic Records, Prince has announced that he is assigning the rights to his catalog to NPG Music Publishing, which means he will be doing it himself with the help of “some of the best talent in the industry,” according to the release.
Prince’s last publishing deal was with Universal Music, before leaving the company several years ago. He had been inked to Kobalt Music for a label services deal but chose to release his latest single through L.A. Reid’s Epic label.
The Grammy-winning multiplatinum icon’s songs, which he considers “fit 4 eternal publication,” includes such hits as “Kiss,” “When Doves Cry,” “Little Red Corvette,” “Let’s Go Crazy,” “U Got the Look,” “Purple Rain” and “Diamonds and Pearls,” most of which he played at a mammoth four-hour-plus show at the Palladium in Hollywood last month. NPG Music Publishing marks the first time Prince’s publishing has been independently controlled and administered in more than 20 years.
LinkedIn just became more like Facebook. Now everyone can write and post articles on LinkedIn, not just well-known business names. The new strategy follows LinkedIn’s disclosure that page views slipped for the second consecutive quarter.
Now that LinkedIn ‘Influencers’ includes all willing and able writers, the company will use algorithms to distribute the most popular articles.
Say you are getting ready for a blind date or a job interview. What should you do? Besides shower and shave, of course, it turns out you should read — but not just anything. Something by Chekhov or Alice Munro will help you navigate new social territory better than a potboiler by Danielle Steel.
That is the conclusion of a study published Thursday in the journal Science. It found that after reading literary fiction, as opposed to popular fiction or serious nonfiction, people performed better on tests measuring empathy, social perception and emotional intelligence — skills that come in especially handy when you are trying to read someone’s body language or gauge what they might be thinking.
Photo: Casey Kelbaugh Emanuele Castano, left, and David Comer Kidd, researchers in the New School for Social Research’s psychology department.
“This is why I love science,” Louise Erdrich, whose novel “The Round House” was used in one of the experiments, wrote in an e-mail. The researchers, she said, “found a way to prove true the intangible benefits of literary fiction.”
“Thank God the research didn’t find that novels increased tooth decay or blocked up your arteries,” she added.
The researchers say the reason is that literary fiction often leaves more to the imagination, encouraging readers to make inferences about characters and be sensitive to emotional nuance and complexity.
The researchers, social psychologists at the New School for Social Research in New York City, recruited their subjects through that über-purveyor of reading material, Amazon.com. To find a broader pool of participants than the usual college students, they used Amazon’s Mechanical Turk service, where people sign up to earn money for completing small jobs.
People ranging in age from 18 to 75 were recruited for each of five experiments. They were paid $2 or $3 each to read for a few minutes. Some were given excerpts from award-winning literary fiction (Don DeLillo, Wendell Berry). Others were given best sellers like Gillian Flynn’s “Gone Girl,” a Rosamunde Pilcher romance or a Robert Heinlein science fiction tale…[more]
THE LIST OF REASONS for not acting on climate change is long and ever-shifting. First it was “there’s no problem”; then it was “the problem’s so large there’s no hope.” There’s “China burns stuff too,” and “it would hurt the economy,” and, of course, “it would hurt the economy.” The excuses are getting tired, though. Post Sandy (which hurt the economy to the tune of $100 billion) and the drought ($150 billion), 74 percent of Americans have decided they’re very concerned about climate change and want something to happen… (more)
We call on the City of Cambridge Retirement System to immediately freeze any new investment in fossil fuelcompanies, and to divest from direct ownership and any commingled funds that include fossil fuel public equities and corporate bonds within 5 years (more)
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by Ben Mattlin (HC ’84)
CONVERSATIONS ABOUT INTER-ABLED ROMANCE, part 5... Like all romantic entanglements, the reasons for their tensions—tensions, which eventually led the invisible rubber band between them to snap—weren't quite clear. Or maybe they were entirely too clear. Telling me about it, Shane struggled for the right words, but his meaning rang with the clarity of breaking glass. "For a while, she was planning on moving up here to be with me, to be able to help out with all my [...]