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Caroline Leavitt interviews Harriet Levin Millan...

NEW YORK TIMES AND USA TODAY BESTSELLING NOVELIST, SCREENWRITER, EDITOR, NAMER, CRITIC, MOVIE ADDICT AND CHOCOHOLIC, Caroline Leavitt, blogs… 

TUESDAY, NOVEMBER 8, 2016

Harriet Levin Millan talks about her profound novel-based-on-a-true-story, How Fast Can You Run, about a South Sudan refuge searching for the mother he was separated from when he was five.

“The best war novel told from a young boy’s perspective since Jerzy Kozinski’s The Painted Bird.”

—Nyoul Lueth Tong, author of There is a Country: New Writing from the New Country of South Sudan

Prepare to be amazed. When One Book, One Philadelphia asked author and Drexel University professor Harriet Levin Millan to choose ten of her undergraduate creative writing students to interview ten South Sudanese refugees for a special One Book writing project, she met Michael Majok Kuch, who became the subject of her novel. . Kuch survived the torching of his village in South Sudan, and was separated from his mother when he was only five. His quest to be reunited with her, and the plight of the refuge is both profound and moving. Thank you so much Harriet, for being here.

I always say every book starts with a yearning. What was yours?

My yearning was for Michael Majok Kuch, the S. Sudanese national, I based my novel on, to see his mother. They had been separated since Michael was five-years-old and their village was attacked in the middle of the night and they got separated. So by the time I met him, when he was a senior in college, he hadn’t seen her for nearly 22 years. [more…]

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    • The Vale of Cashmere

    • by Sean Elder

      green forest

      This story first appeared in Voice from the Planet, FREE from March 30 – April 3, 2017 at Amazon Kindle US, and Kindle UK among others.

       

      Truth was, she used to be able to organize her thoughts, until Floyd retired. Now he was always hanging around talking to her, asking what she was doing. Every time he went out, which wasn’t often enough for her taste, he would ask her if she needed anything and then look angry if she did. Sometimes he’d look angry if she didn’t. Now she looked for errands for him, just to get a moment’s peace. When she sent him off for milk this morning she could have lived without it. But she couldn’t have stood listening to him complain about the bus ride to Atlantic City before it happened, not non-stop for the next two hours.

      “You’re creating your future,” she told him. “Whatever you’re thinking and feeling, that becomes your reality.”

      “Don’t give me that shit,” he’d said, putting on his coat and hat. He had been wearing that same damned hat with the stingy brim so long it had come back in style.

      “It’s the law of attraction,” she’d continued. “You can deny it all you want but that don’t mean it’s not true. “Everything coming into your life you are attracting into your life. You’re like a magnet.”

      “Well, this magnet’s going to attract some milk,” he’d said before going out the door.

      He had made fun of her ever since she first heard Oprah talking about The Secret but deep down she thought that maybe he believed her. Or would, if he would just give it a try. He would come home so angry about something that happened out there – the security guy asleep in the chair, or someone who wouldn’t give his seat up on the subway – and she would tell him, “Every bad thing that comes into your life, you make happen.”

      Sometimes that really made Floyd angry. “Is that right? Every bad thing? I made happen every bad thing that came into my life, Marcy?” He would tower over her, breathing heavily, staring at the top of her lacquered hair until she was silent.

      She looked closely at the big digits on the clock by the bed. It was almost 8:30 and she still had not done her makeup. From the drawer in the nightstand on her side of the bed she looked for her own pill organizer and then realized she had already taken it out. She put it under the light, right beside that picture of her two boys, smiling in the lap of a black Santa, and looked at Wednesday. There were still pills in the morning box but the evening box was empty. Maybe she took the evening pills by mistake. Not that it mattered ‘cause they were basically the same. Or maybe she hadn’t filled the PM part.

      Looking at the rainbow colored compartments (Wednesday was green, Thursday red) she thought of Wilson, who had the hardest time with his R’s when he was little – “Weeding Wainbow,” he would say about his favorite show, and his brother would laugh at him. She felt overcome for a moment and then heard her husband’s keys in the door.

      She took the morning pills, four altogether, as Floyd shouted at her from the kitchen.

      “Do you know how much they wanted for a half-gallon of milk?” She imagined his face as he said the price and the way he would look at her afterwards. He might be looking that way right now, even though she wasn’t there.

      “Cost of everything is going up,” she yelled back. Then she stood and headed for the bathroom. “I got to get a move on.”

      “Ain’t you even going to drink your milk?” She heard him swear as she closed the bathroom door.

      The bus driver turned out to be some white guy who’d been sleeping in the back while people waited outside. The whole bus was talking about it, even after they got out of the Holland Tunnel and were getting on the turnpike, people tisking and hmm-hmming until Floyd wanted to yell, “Who told you to stand out there in the first place? It’s not even cold.” But he kept quiet and sat by a window, alone thank you very much, though Tommy insisted on sitting right in front of him, while Marcy huddled on the other side with a bunch of ladies. They outnumbered the men five to one anyway; he let Tommy represent, going back and forth across the aisle like some congressman making a deal. Each time he went over to the ladies he would say something so low that Floyd couldn’t hear and they would all laugh and holler.

      “I think it’s about time for some music,” Tommy said after one of his sorties. He had a gym bag with him that also said Mets on it, and from it he pulled a boom box that he tried to balance on the seatback in front of him. He pushed play and Johnnie Taylor started in on “Who’s Making Love” and the ladies all laughed, even though the sound was kind of wobbly. From the front of the bus the driver said something, they could see him looking at them in the rear view mirror, but no one tried to hear him. In fact Tommy stood up, with the boom box on his shoulder, and started to shake it in the aisle, which made the driver get on the mike.

      “Sir, I’m going to have to ask you to sit down.” He had some kind of accent, Russian or something, but no one really paid him any mind.

      The hits kept coming; it must have been some kind of collection since Floyd never heard a deejay. Tommy jammed the boom box between the headrest and the window so it wouldn’t fall down and turned around to look at Floyd, but not before looking at the driver, who had his eyes on the road again.

      “How ‘bout a little taste?” Tommy said, taking a half-pint in a brown bag from the pocket of his jacket.

      “Too early for me,” Floyd said, looking out the window. To him it always looked like New Jersey was halfway through being torn down.

      Across the aisle Marcy was in the middle of a conversation with the other ladies but she didn’t feel quite right. It started as soon as she left the building; she had picked out a brooch to go with her blue blouse, a little gold tree with red apples on it, but she had left it sitting in front of the mirror. Now she felt naked, all that blue stretching out below her chin like an empty ocean almost and she felt like she was being pulled back from drowning each time one of them stopped talking. That meant somebody was supposed to say something, you were supposed to jump in like it was a game of double-Dutch.

      “What I value most is the privacy,” Marcy said, but no one answered. She had a feeling she had said that before. The topic was assisted living and how to know when you needed it.

      “Until you wake up privately dead,” said the lady in the Kente cloth. Marcy didn’t remember meeting her before, a friend of Helen’s was how she was introduced, but she didn’t like her now. She had these gray and white streaks in her hair, extensions by the look of it, but it reminded Marcy of mud. Besides she was probably the youngest woman of the bunch, what was she talking about dying for?

      “My boy checks in on us every night,” said Marcy and immediately wondered why she had. It wasn’t true. Most times she had to call Eric and he never sounded too happy to hear from her. He did come to visit though, once a month at least. They saw less of him after his divorce, though you’d think it would be the other way around.

      “Where are we?” she said suddenly, looking out the window. Everything looked the same.

      “You keep asking that,” the lady in the Kente cloth said, or maybe she said. Marcy wasn’t looking at her and the music Tommy was playing made her feel lost.

      “Sending this one out for all you ladies,” said Tommy, like he was some deejay, and they all laughed but Marcy didn’t think it was funny. It was that song about sitting on a park bench that always made her sad. “I see her face everywhere I go/on the street and even at the picture show/have you seen her?”

      There was a hospital up there high on a hill and for a second she felt that the bus was going to take off and fly straight up to its doors. She closed her eyes and felt herself rise.

      They parked in the lot of the Showboat casino. Though they could have gone anywhere they wanted, the thirty odd passengers that disembarked made for the Showboat as if summoned, shuffling and limping toward the entrance in a broken conga line.

      “No one says we got to go to this casino,” Floyd said to the crowd of ladies leading the way.

      “The Showboat has a Mardi Gras theme,” said the lady in the Kente cloth. She turned around to give Floyd the fisheye, pulling down her glasses as she did. “Besides, we got coupons for the Showboat.”

      He fell in line sullenly beside Tommy who offered him another drink. Floyd took a swallow this time without pulling down the brown paper to see what it was. It tasted like mouthwash.

      “Jesus, what the hell you drinking?”

      “Little peppermint schnapps.” Tommy tried to slap Floyd on the back but the big man danced away, handing the bottle back as he moved.

      “What she mean by a ‘Mardi Gras theme,’ anyway?” Floyd said.

      Tommy shrugged. “As long as they got free drinks and blackjack I don’t much care.”

      Seagulls screamed overhead. Floyd saw his reflection scowling in the window of a parked Humvee. He went to New Orleans during Mardi Gras when he was in the Navy, how many years ago? He got lost and someone stole his wallet. A man dressed as a woman tried to put beads around his neck, he remembered. You could have your Mardi Gras.

      Marcy was among the first of the women to enter the casino and the air conditioning hit her like a cold wave. “Good thing I remembered my shawl!” she said but no one answered. The music and the sound of the slot machines, dinging and ringing with sirens going off every five minutes as if some crime was being committed, swallowed her voice.

      Marcy had thought to bring rolls of quarters and silver dollars. While the other ladies were getting change she was already pouring her silver into a red plastic cup provided to her by a girl in the shortest skirt she had ever seen.

      “You must be freezing!” Marcy said but the girl didn’t seem to hear her. Maybe she just got tired of people trying to talk to her.

      The slots area had thousands of machines and at noon it was already half filled, mostly old timers like her and Floyd. He and Tommy had set off in the other direction like there was a sign saying ‘Men, That Way.’ The carpets were in a pattern of red and orange and gold that reminded her of a kaleidoscope and the ceiling was made up to look like stained glass, though she knew real stained glass when she saw it and this wasn’t it. She felt like if she didn’t sit down she might just fall into the colors. She sat down at a quarter machine and began feeding it. She didn’t know where the other ladies had gone and looking over her shoulder left her none the wiser.

      “Y’all gonna have to find me,” she said and as if summoned a different lady in a short skirt appeared.

      “How you doing today?” she said. She had a tray filled with drinks and a notepad tucked into her belt. “Can I get you something to drink?”

      “Well I suppose you can!” Marcy turned in her chair to show her appreciation. “My name’s Marcy by the way, I come here from Brooklyn with a bunch of folks from my church group.”

      “Now isn’t that nice? My name’s Kim Sue. What can I get you?”

      Marcy smiled and opened her mouth. But she could not think of the names of any drinks, not just the fancy ones but any drink. She felt a trickle of sweat run down her back underneath her blouse.

      “It’s funny,” she said, embarrassed. “My mind’s just a blank today.”

      “Sure, no problem!” Kim Sue smiled back at her like one of those Chinese dolls, her name right there on her badge. “We have beer and wine and soda and mixed drinks.” She kept smiling at Marcy and continued. “I could make you a nice white wine spritzer, if you like.”

      “Oh, that sounds nice,” said Marcy, and it did sound nice, like a sprinkler in the summer time, the kind the boys used to play in. Kim Sue left and Marcy returned to the machine. Cherries and plums rolled past, never stopping at the same time.

      Eric used to chase Wilson through the sprinklers in the park and sometimes when Marcy wasn’t looking he would hold his little brother down and try to pull off his shorts in front of all the other children. She would get so mad at him, always teasing like that, knowing it would make Wilson cry and come looking for her, but she had a job then, looking after a little white boy named Oskar whose parents lived in Park Slope and worked all the time. Oskar’a parents didn’t mind too much when she brought her boys with her when she took him to the park. “As long as you remember,” the father said, “that Oskar is your first priority.”

      Well of course he is, mister doctor man! Why would my own flesh and blood come before your little prince? Good gracious, the things that man would say. If the wife heard him she would weigh in and try to soften the blow. “What my husband means is that we don’t want you to get too distracted. Three children is a handful.”

      Now that was the kind of thing only a white person would say. Where she came from three children was just getting started, even if she was done after Wilson, something her own mother could never understand.

      “Oh, don’t worry, ma’am,” Marcy would say. “I won’t ever let Oskar out of my sight.”

      All these people thinking someone was going to steal their child then, like the whole country had gone crazy. Soon they’d be putting their pictures on milk cartons and billboards and on TV during the news – “Have you seen Brandon?” Usually white kids. If a black kid went missing generally people know who took him.

      “Here you go, ma’am.”

      Kim Sue was back with her drink. It was in a big plastic cup with a straw that went in curlicues, like a roller coaster, like this was for a child. She started fishing in her coin cup.

      “Drinks are complimentary, ma’am.”

      Like I didn’t know that. She pulled out a Susan B. Anthony and put it on her tray. “That’s for you,” she said.

      “Very nice of you, ma’am. And if you need anything else you just let me know.”

      She turned to leave and Marcy was afraid to see her go. “Kim Sue, it’s like your momma gave you two names.”

      “Kim is my family name. Family name comes first in Korean.”

      “Is that right?” said Marcy. “Well I think family should come first, don’t you?”

      “Yes, ma’am.”

      Marcy thought that was something else she should write in her book but realized that she hadn’t brought it with her, and then forgot what she had said. “But they probably don’t spell it like that in Korea, do they? The Sue, I mean.”

      “No, ma’am, we have a different alphabet.”

      “Now isn’t that something?”

      She was balancing a tray full of drinks while she talked to Marcy so she let her go, disappearing into the big Tiffany lamp around them. A band was playing Dixieland and Marcy strained her eyes to see them. The music seemed to be coming from everywhere at once, “When the Saints Come Marching In.”

      “Let me tell you another,” she said, sipping on her drink. The lady at the machine next to her looked at Marcy and then moved away, taking her quarters with her. She watched as the drink spun up the straw when she sucked. Here we go loop de loop.

      Sometimes Eric would help her push the stroller as they went around the park, and Wilson would run so far ahead she would shout after him. “Don’t go where I can’t see you!” she’d holler, and Oskar, too big to be pushed around in a stroller, would try and stand up and yell after her. “Go where I can’t see you!”

      Wilson would hide like that at home as well; hide so good she couldn’t find him sometimes. They were living in Prospect-Lefferts, more house than they needed but you could afford those big limestone buildings then even on a Con Ed salary and Wilson would go into different rooms and be so quiet that she would get hysterical, be practically beside herself by the time her husband got home. Then they would hear him laughing. “Got you!” he would say and emerge from the cupboard or from behind the sideboard and Floyd would get so mad. That one time he came out of her closet wearing her bra and Floyd just about went crazy; took off his belt and chased him.

      She put in a coin and pulled the lever: a watermelon; a bell; the number seven in gold.

      “What numbers are you playing today?”

      She turned her head but nobody was there. Who had spoken? Just turning her head made the colors around her move and when she looked at the floor she saw the pattern there was moving too. It was like a flying carpet, the Vale of Cashmere –

      The Vale of Cashmere! That was the name of that strange corner of the park where she took the boys now and then. They were getting older; other boys took the place of Oskar, and Eric got too big to want to be with them. But Wilson kept her company as she made the rounds, bought them ice cream and wiped their sticky hands. People used to call it The Swamp and there was a muddy pond okay and some hanging trees.

      “How come you don’t play with boys your own age?” one of the kids had asked him once.

      “I just like to help my momma,” he’d said.

      He was the one who found out the real name of The Swamp, checked an old book out of the library and showed her on the map. There was a poem that went with it and Wilson stood up by the pond and put one finger in the air as he read: “Who has not heard of the Vale of Cashmere/With its roses the brightest the earth ever gave?”

      Another babysitter saw them by the pond once and came over to warn them. “You shouldn’t be down in there,” she said, afraid to come too close with her stroller in front of her. “They say men get together down there.”

      And after that Marcy noticed them, lurking about, standing in the trees. Once when she came down with Wilson and a stroller two men ran out, going in different directions.

      She didn’t think about it again for years, until Wilson was grown and still living at home, and he came back one night that first time with his face all bloody, drunk or high on something and smiled at her, blood on his teeth.

      “Hey, Momma, I been to the Vale of Cashmere!”

      That’s when Floyd said no more.

      “What numbers are you playing today?”

      She turned and the colors whooshed like a scarf being wrapped around her head. She saw her this time, a little woman, no bigger than a dragonfly like the ones the boys chased in the park, Wilson would put them in a jar with holes punched in the top, while Eric tried to cover it up with his hand so they would smother.

      “I’m looking for three sevens,” Marcy said to the dragonfly woman. “Are there some other numbers to play?”

      “That is the question, isn’t it?” said the faerie. “Are there other numbers to play?”

      And then she flew away, just like a little hummingbird, and Marcy got up to follow her, passing into the pattern of colors and leaving her cup of coins behind.

      Floyd went through all his money the first hour. Not all his money but all the money he’d meant to spend, the money he put in his shirt pocket, seemed to fly off the table. Dealer beat him every time: if Floyd had 18, the dealer had 19; if Floyd sat on a 19, the dealer hit him with two bricks.

      “I guess this lady feels like she has to show us what a blackjack looks like,” said Tommy, when the dealer drew her third in ten minutes. She apologized to them both, even though they didn’t tip her, and Tommy’s luck was better than hers: He doubled down twice and made a hundred bucks in the blink of an eye. All Floyd could do, once he had spent the money he had earmarked for this outing, was sit there and simmer in his resentment while Tommy’s chip pile grew.

      That was when Helen, the lady in the purple pantsuit, came and asked if he knew where Marcy was.

      “I thought she was with you,” said Floyd. It came out like an accusation.

      “Well, we agreed to meet for lunch at three,” she said, “but then nobody could find Marcy. We figured maybe you two went off together.”

      And that’s how well you know us, Floyd thought. “Maybe she just went off to another casino by herself,” he said. Even though he was losing, and wasn’t even playing at the time, he didn’t want to have to leave his spot and go look for his wife. “There’s no law says we got to stay here.”

      “Blackjack,” said the dealer, flipping another ace.

      But after a minute he did get up to look, as he knew he would, leaving Tommy, who still had a hot hand and no doubt wondered what all the fuss was about.

      “Did you try the ladies room?” he asked Helen.

      “That was one of the first places we looked. They have sofas in there, you know.” She paused. “Do you think we should call security?”

      The suggestion made his blood pressure rise. “No, I don’t think we should call security. Christ sake, grown woman goes off for a few minutes and you want to call the cavalry?”

      “Does she have a cell phone?”

      “Our son gave her one but she couldn’t figure out how to use it.” This was literally half true: Eric had given them each one last Christmas, and neither of them could figure out how to use it. By the time Floyd got the hang of it he realized that the only person he would call was his wife, which was kind of stupid since he saw her all the time anyway.

      They looked all the places that they had already looked and the lady in the Kente cloth joined them, acting more concerned that Floyd felt. “We need a system,” she said, as they circled the room for the second time. The place was more crowded than ever and Floyd could hardly hear what she was saying. “How about I go stake out the buffet and you stay here?” she suggested to Helen.

      “How ‘bout I go stake out the buffet?” Helen said. “I haven’t had lunch yet.”

      Floyd said they could both go feed themselves and take their time doing it; Marcy would turn up. He stood like a sentinel beneath the bells and sirens of the Mardi Gras slots, scowling most of the time. He hated slot machines; there was no sport in it, as he often told his wife. Blackjack at least you were playing the odds. Slots to him was just dumb luck, like a rabbit betting it wouldn’t get run over when it ran across the road. Twice he thought he saw his wife, and each time he took pleasure in anticipating just how much grief he was going to give her. But each time he was wrong.

      By four o’clock they were back together, Tommy too, and they began to set out in search parties. They were a small group: most of the travelers didn’t want to leave their stations, since the bus was scheduled to leave at six and this whole business had already cut into their time as it was. The lady in the Kente cloth, who finally introduced herself as Niobe, took charge. She contacted the hotel security, who seemed to have some experience with old folks wandering off, and as the witching hour neared, and the day-trippers started heading back toward the bus, she went out and argued with the bus driver, who was pretty adamant about leaving on time.

      “You can’t just go off and leave an old lady alone,” she scolded him. The engine was already running, gently shaking the bus, while the AC gusted out the door in heavy welcoming breaths.

      “I won’t be leaving her alone,” the driver said. “I will be leaving you to find her.”

      He agreed to wait as they made one last search. A handful of them fanned out, going to neighboring casinos and restaurants, off the boardwalk and into the side streets. Floyd couldn’t help but think that Marcy was messing with him the whole time, and when he saw the impatient faces of the other folks on the bus – they’d lost their money and had their fill, they just wanted to go home – he couldn’t help but side with them.

      Most of the people he saw as he wandered were wearing shorts and T-shirts. Used to be people would get dressed up to go someplace. And when did everybody get so fat? Walking down the boardwalk, bag of French fries in your hand, what did you expect? The new motto for the city was “Always Turned On,” which he found kind of creepy. There was nothing that he saw that turned him on.

      Doors were open, air conditioning blasting out, cooling nothing. Floyd took to popping into places and doing a quick look around, not even asking half the time if they’d seen anyone who looked like his wife. One, they couldn’t hear you with all that noise and two, half of them couldn’t speak English.

      “You seen an old black lady?” he shouted at one girl scooping ice cream. Her nails were so long he figured they might end up in somebody’s cone. “Blue shirt, about this high?” She stared at him like he was the one with the language problem.

      He kept walking. Going in and out of the summer sun was making him dizzy, to say nothing of thirsty. He wished for the first time that Tommy was with him. That man would always stop for a drink. He saw people in those rolling chairs, being pushed by young people, girls sometimes. And you wonder why you so fat?

      Down at one end of the boardwalk he found what looked like a real bar. The crowd had trickled off as the sun sank lower in the sky. Go on, get out of here. A lot of good you been. Floyd ducked inside and felt the rivers of sweat roll out from under his hat and chill on his face and neck. His glasses steamed as he took a seat at the bar and ordered a gin and tonic. He perched on the stool and looked up at the game on TV. The waitress brought him his drink and man did that taste good. No skimping on the gin, either. He forgot to ask her about Marcy. His wallet was bothering him, he felt like he was balancing on it. When she asked him if he wanted to start a tab he simply nodded.

      “You got a phone?” She pointed to an old-fashioned booth in the back, kind Superman used to change in. The place was filling up, young couples waiting for dinner. Went back to the hotel to put your dress shorts on? Once inside the paneled wood booth he forgot who he was going to call. Eric, right. He searched the scraps of paper in his wallet for the number he never had cause to memorize and let it ring, go to voicemail, and then dialed again.

      “Hello?”

      “This ain’t no telemarketer.”

      “Hey, Pop.” He did not sound happy to hear from him and Floyd had already put enough change in the machine so he cut straight to the point.

      “We in Atlantic City and your mother’s gone missing.” He backtracked from there, explaining the whole afternoon in greater detail than Eric needed, but never did his son sound any more excited than Floyd felt. He asked the obvious questions – had they called the police? Who else was looking?

      “Did she have her cell phone?” he asked, pointedly.

      “That’s why I was calling,” Floyd said. “I figured maybe she’d called you.”

      Eric was silent, and Floyd knew that he knew he was lying. He imagined him at home, still in his work clothes, the sound on the TV muted, his eyes on the game. From his perch in the booth Floyd could see the TV over the bar. Jeter was trying to steal.

      “I’m sure she’ll turn up, Pop. I mean, where’s she gonna go?”

      “I know that.”

      “You got your cell phone with you? So I can call you if she does?”

      Floyd muttered something and got off the phone. That boy would go to his grave asking about those damn phones. He should just wrap them up and give them back to him for Christmas. Turn ‘em into salt-and-pepper shakers.

      When he got back to his seat at the bar Jeter got picked off and he ordered another drink. Now they could send the search party out for him. The tumblers were tall and when he turned in his seat he found he had company. Big old white dude with long hair and a pointed beard. He was sipping a Budweiser longneck and looking at the screen. His arms were covered in tattoos; dragons, snakes and skulls disappeared into his shirtsleeves.

      “Fuckin’ Yankees,” he said and turned to look at Floyd. “Nice hat.”

      Floyd turned to face his own reflection in the mirror behind the bar. “You wouldn’t believe how long I had this hat,” he said.

      “There isn’t much I wouldn’t believe,” the man said.

      They got to talking. Turned out he worked in a tattoo parlor on the boardwalk, which explained all the ink. Half way through his second drink and Floyd was feeling generous in his opinions.

      “Back in the day,” he said, “man had a tattoo it meant he’d been someplace. In the service, in the joint, you know.”

      “I hear you,” the man said. “These days it just means you been to the mall.” He drained his beer and held up the empty. “Buy you a drink?”

      “Let me buy you a drink,” said Floyd, and pulled out the fat wallet that had been giving him such a pain and laid it on the counter. Soon he had the pictures out and was showing him snaps of Eric, bragging on his job even if he wasn’t exactly sure what he did. Then one of the whole family, when everyone was young.

      “Where’s your other boy?” the stranger asked.

      Floyd made a face like he was sucking on a lime. “Wilson got killed in a hold-up ten years ago,” he said.

      “Oh, man, I am sorry. They catch the guy who did it?”

      “No, it was in Prospect Park one night. Lot of crime in there.”

      “That’s why I could never live in the city,” the man said, which struck Tommy as funny. Most people would be scared of him, even in Brooklyn.

      “So what happens when folks get old?” said Floyd, changing the subject. “Maybe they don’t want all those tattoos any more.”

      “Shit, you don’t have to wait ‘til your old to regret something stupid you did.” The man laughed and Floyd got a glimmer of a gold tooth in his head. “People come in all the time wanting to have tattoos taken off, usually the name of some girl that don’t love them anymore.”

      “Can you do it?”

      “Sure,” the man said. “Hurts like hell and costs twice as much. But we can do it. Easier just to change it, though.”

      “How do you mean?”

      “Well, there was this one girl who loved a guy named Chris and had it tattooed on her ass. Until she found Jesus and then we just added a ‘T’.”

      He didn’t smile at first and it took Floyd a minute to figure it was a joke. He smiled first. “Hey, I got one,” he said. The stranger’s eyes gleamed in anticipation. “There was this guy who loved this old girl so much he had her name tattooed on his Johnson.”

      “Now that’s gotta hurt!”

      “Hell, yeah.” Floyd wiped his mouth. “Then they broke up, you know, and soon he started missing her real bad. So he went all over looking for her, from Wisconsin all the way down to Jamaica. Then he’s in the bathroom one day and he looks over and he sees this other guy’s dick.” He stopped for a minute. The stranger kept staring at him. “Now I can’t remember that girl’s name.”

      “Is it important?”

      “Yeah, it’s the whole punch line.”

      “Uh, oh. Better have another drink.”

      He felt flushed and excused himself to go to the bathroom. There he stared straight ahead at the wall and read all the graffiti as if looking for a message. And by the time he got back to the bar he was not surprised to see the stranger was gone and with him his wallet though all Floyd could feel was a keen sense of disappointment: He remembered the end of the joke now. He had remembered that old girl’s name.

      ______________________

      voice from the planet

      ‘Vale of Cashmere’ was first published by Harvard Square Editions in Voice from the Planet, FREE from March 30 – April 3, 2017 at Amazon Kindle US, and Kindle UK among others. Sean Elder’s writing has appeared in the New York Times Magazine, National Geographic, New York Magazine, Salon, Slate, Vogue, Elle, Men’s Journal, Men’s Health, O: The Oprah Magazine, Gourmet, Food & Wine, Details and many other publications. The essay he contributed to the collection of men’s writings The Bastard On the Couch (Morrow, 2004) was reprinted on three continents; his essay on ecstasy, included in the collection of drug writings entitled White Rabbit (Chronicle Books, 1995) was called “seminal” by Granta; and a piece he wrote about being a stay-at-home dad for Oprah was included in her best of O collection, Live Your Best Life (Oxmoor, 2005). He has co-authored several books, including Websites That Work with designer Roger Black (Adobe Press, 1997) and Mission Al Jazeera with former Marine captain Josh Rushing (Palgrave, 2007). He also works as a book doctor and helped edit the forthcoming Making Rounds with Oscar by Dr. David Dosa (Hyperion, 2010). He lives in Brooklyn, New York with his wife and daughter.

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    • All at Once: Excerpt of the Novel

    • I step onto a wide stone platform surrounded by water and lie on my stomach to peer down over the edge. At my approach, tiny fish scatter like drops of colored light; crabs pause, wary, then scuttle along the sides of the basin, stuffing their mouths as fast as they can with alternate pincers. After a while, a kind of brown finger wriggles out from the shadows. Another one emerges, then two more, and finally the bulbous body of an octopus comes into view. It skims along until the water is too shallow then starts to walk, using its tentacles as legs. When the water gets deeper it pushes off against the sandy bottom to glide, once more, just beneath the surface. It circles round and round my platform.

      aao cover

      My back begins to prickle, and I realize I’ll be burnt to a crisp if I don’t find shelter pretty soonthe ocean breeze masks the sun’s virulence.

      Standing up makes me momentarily dizzy. The tide has gone out, uncovering rocks studded with barnacles or slick with thick green hair. I head back toward the flat sand and continue walking, looking for a place to rest. I’ve just about resigned myself to the idea of a plastic chair, when I spot a barraca that’s not open for business. The beach in front of it is empty, the small structure shuttered; its thatched roof casts a nice, wide stripe of shade onto the sand. Gratefully, I set up camp, taking out the water and crackers I brought, spreading out my towel to sit on, and leaning against the barraca wall with the empty backpack in between for cushioning. A sigh of relief.

      The ocean is now more white than blue. At the horizon, a wavering smudge might be a cruise ship or an oil rig. The great mass of water is barely disturbed by shifting waves, fretful and sluggish like a dog settling down to sleep. There’s an occasional bloom of white spray when a wave breaks against rock; wisps of cloud trail across the sky. I yawn, lie down on the towel, and close my eyes.

      Now the landscape is reduced to the rustle of wind in the palm thatch, the faint piping of a distant bird, and the dull roar of the ocean. I stretch my arms and let them flop back down. Rolling my head slowly from side to side to loosen the tension in my neck, I notice that this movement causes the pitch of the ocean to vary ever so slightly. Intrigued, I try it a few more times, just to make sure.

      There’s a lesson in that, I reflect: reality changes according to your viewpoint. I roll my head once more from side to side then lie still again, listening to the tiny, ceaseless fluctuations within the monotone.

      An insect lands on my footwithout opening my eyes I flex my toe to chase it away, and realize that the gesture produced an infinitesimal shift in the ocean sound. Bizarre! I can understand the position of my head influencing what I hear, but the position of my toe? (more…)

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    International Publisher Articles:



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    Xmas Rumination

     
    In the abbey
    of the inner
    mind

    an unholy
    thought
    I could not find

    in the garden
    of the
    gentle heart

    not one feint
    that stooped
    to art
     
    *
     
    Within, true
    even
    well and wise

    the very
    provenance
    of paradise

    only when we
    forfeit
    this home

    all paths lead
    to debauch
    and Rome

     
    *
     
    Once we
    slough
    the inner child

    do we go
    unruthful
    into the wild

    born true
    yet prey
    to travails

    the spirit strong
    in the world
    it fails

    for in
    multitudes
    we cease
    to be

    in sweet
    kindred
    and affinity
     
    *
     
    Narrow
    the compass
    of inner desire

    when large looms
    trespass
    comes frenzy
    and fire

     
    *
     
    Safe
    is the hearth
    sweeter
    the home

    outside that
    nunnery
    neither rove
    nor roam

     
    *
     
    Where small stays
    the compass

    there large
    looms the heart

    when large
    is the trespass

    we come aloof
    and apart

    when we bow
    to the gods

    of little
    things

    the heart
    surmises

    and the spirit
    sings

     
    [© R.Kanth 2022]

     

    Professor Rajani Kanth, is Author of Coda (Novel) , A Day in the Life (Novel), and Expiations (Verse)

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    She

     
    (For the lorn and the reft)
     
    She rides with the rapture
    I reel with the storm
    her darkness forestalling
    my own burst of dawn

    morning beckoning
    the red robins call
    my heart’s all a-flutter
    as the feathers, they fall

    afternoon shadows
    evenings of light
    my sun is slow setting
    let there be night
     
    *
     
    Gardens a-growing
    fountains at play
    fled from the frolic
    I must hasten away

    tomorrow is tempered
    the games are undone
    too late for this dreamer
    decline is begun

    dark noons are gathered
    the skies are ablaze
    yesterday dismounting
    I falter from grace
     
    *
     
    In the far yonder
    pale moons are anon
    my sky is gone awry
    the spool has unspun

    she flies with the falcon
    I wilt with the rose
    red pennants are flying
    as the blood river flows

    so the blood river flows
    yet am I unstirred
    her ways may be winsome
    but my songs are unheard
     
    *
     
    Swept by the tempests
    borne by the trees
    I cleave to her conquests
    she clings to the breeze

    days of dull glory
    evenings macabre
    noons with no solace
    nights of dead stars

    though scorched by the cinders
    I stoke her red fires
    but dark love hinders
    and passion retires
     
    *
     

    I ravage her darkness
    she’ll ravish my light
    the living repining
    to the phantoms’ delight

    incense is bending
    but the boughs are unbent
    my life is but ending
    and hers is unspent

    my gods are come glancing
    the bowers below
    her demons advancing
    are felled by a blow

    fetch me a wood sprite
    these forests among
    for the glens are a-glooming
    my springs are unsprung
     
    *
     
    Anthems appealing
    I sing to her vales
    she, blissful, unhearing
    and nothing avails

    she stalks by the rushes
    the willows among
    in afternoon hushes
    my songs go unsung
     
    *
     
    Night birds are calling
    my fears from afield
    darkness appalling
    my fate is now sealed

    footsteps echoing
    the hallways are dim
    dark clouds a-blowing
    the aspect is grim

    she laughs at my fading
    lips in full bloom
    longing, evading,
    my raptures of gloom

    come not in a teasing
    rapier unhung
    so winsome, appeasing
    yet mortally sprung
     

    *
     

    No ambient sorrows
    no luminous joys
    no cares for the morrow
    no tedious ploys

    my love is a pardon
    for the sins of my life
    an enchanted garden
    where serpents are rife

    no care for the morrow
    all’s put paid from the start
    still burgeoning sorrows
    load the unyielding heart

    my love is a dreaming
    of a world held at bay
    no hunters, no hunted
    no stalker, no prey

    in the fit of my fever
    I pine for love past
    the passions that (op)press me
    love’s languors that last
     
    *
     
    For death is my consort
    the love of my dreams
    my reason for living
    the rhyme in these streams

    yes , death is my mistress
    ever leading me on
    in diurnal distress
    as I still sojourn on

    would fain lose my heart
    than kingdoms regain
    endure it unflinching
    and still wish it again

    for a moment’s true rapture
    for one taste of true bliss
    I’d welcome The Serpent
    and give heaven a miss

    for a moment’s true rapture
    for just one taste of bliss
    would raffle my fortunes
    O what madness is this?

    from here to hereafter
    in a Sahara of pain
    where wan wraiths wild wander
    there will I remain


    from here to hereafter
    in a Sahara of pain
    what immortal communion
    can such fervor sustain?

    *
    yes, death is my consort
    my lover from yore
    the song of my senses
    my fatal allure

    for she is my mistress
    my lover serene
    i faint by her footfall
    she clasps me unseen

    darkness abounding
    night gilds in vain
    silence surrounding
    the songbirds are slain

    the songbirds are slain
    green mansions among
    i weep by the wayside
    my last lay is sung

    she melts with the mist
    and black passions are fled
    but chained to her chariot
    my blood wine blows red

    chained to black chariots
    i drag at her wheels
    passions unspoken
    she breaks all my seals

    the blood wine flows red
    i’m slowly undone
    she slays like a siren
    i sink with the sun

    i sink with the sun
    the old gods have failed
    not by rapier undone
    but by true love assailed

     
    [© R.Kanth 2022]

     

    Professor Rajani Kanth, is Author of Coda (Novel) , A Day in the Life (Novel), and Expiations (Verse)

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    Love

     
    (For the fragile in spirit)
     
    Love hangs
    like a gossamer
    from a rainbow
    in the sky
     
    if only
    words
    could fly!

     
    sunsets reek
    of butterflies
    amber leaves
    look like wings
     
    and I think
    somewhere
    nigh
    a nightingale
    sings
     
    the day is
    spread
    like honey
    slow seeping
    from a jar
     
    emphatically sunny
    and things
    are up to
    par
     
    *
     
    I cannot see
    your love
    light
    and barely
    feel
    the pain
     
    perhaps this
    summer madness
    will not
    come back
    again?

     
    *
     
    Though I winter
    in my
    solitude
     
    trying hard
    not to
    cry
     
    and the
    seasons whisper
    farvel
     
    fond lover
    say
    goodbye!
     
    I remain lost
    in languor
    still
     
    just don’t
    ask
    me why
     

    for matters not
    what I do
    whether I live
    or die

     
    *
     

    Love hangs
    like a gossamer
    my own
    rainbow
    in the sky
     
    scattering my
    kisses
    like petalled
    wings that
    fly

     
    [© R.Kanth 2022]

     

    Professor Rajani Kanth, is Author of Coda (Novel) , A Day in the Life (Novel), and Expiations (Verse)

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    The Other?

     
    They hate you if
    you’re clever
    and they despise a fool

    John Lennon
     

    I can think of no more potent words to describe the ontic situation (of denigration) of the powerless( in context of class, caste, race, gender, et. al.)vis a vis the empowered.
     

    *
     

    To state the obvious, even within The Other, dominant groups mistreat the weaker: so there is a near endless regress of the binary across the spectrum.
     
    An upper class Woman may oppress a lower class woman, despite both being the ‘oppressed’ vis a vis Males.
     
    An Afro-Am , oppressed by white racism, can in turn look down upon
    native Africans for being lower on the totem pole, and so on.
     
    Happens all the time.
     

    *
     

    Putting on Modernist, ‘Progressivist’, airs does not alter that reality one whit.
     
    So, the moral superiority of Victims is contextual, and temporary, only.
     
    Yesterday’s victims can turn today’s oppressors, given half a chance.
     
    Besides, as Colin Wilson pointed out aeons ago there is nothing an Outsider wants more than to be an Insider.
     
    So , the moral gap between the Primary and the Other may not be as deep as is oft imagined.
     
    Examples abound, if one looks around with care.
     
    Both the historical avatars of EuroModernism (EM) – Capitalism and Socialism – have been run through with stark iniquity, oppression, and injustice.
     

    Stated unhappily, truth is that Man is a beast, lest we forget.

     

    *
     
    And the only (near)”Utopia” ( I do NOT subscribe to that term) that exists is a communal, familial, tribal, entity that, intra-tribe, adopts pacific, affective, ties, within a matrix of co-operative mutualism.
     
    It is the one locus where unpredictable male violence, the very bane of human society, is best enchained/entrapped within the healing bonds of Affective Relations.
     
    This is what Women achieve(d), in that societal form: no other formula has ever worked.
     
    In my parlance, (with)in that instance, the Social Economy of Affections (Tribal modes) trumps the Political Economy of Interests (EM).
     
    It is, indeed, the First Condition of Civilisation: i.e., the domestication/pacification of Men.
     
    The Second Condition is the Pacification (domestication) of Nature.
     
    So now we should know why all utopias (of EM inspiration) fail:
    male aggression in such arid domains – let’s call them, advisedly, No Woman’s Lands – razes them to the ground, in fruitless power struggles.

     
    *
     

    Recognition of our real, intrinsic, species traits has never been an EM forte: they prefer fantasy – kindergarten pap ? – to lull doubt and disquiet .
     
    We accord instinctual behavior to our close cousins – say the chimps – but fail to apply it to ourselves.
     
    This is because early EM theorists imagined that ‘MAN” was created in the image of ‘god’: Darwin’s correction came too late.
     
    The conjectural ‘progressivism’ keeps us all in thrall of that powerful amphetamine called ‘hope’ , endlessly organising, marching, whispering,’yes, we can’: despite dispositive evidence to the contrary.
     
    It is time we grew up: to self-realisation?
     
    As Ben Franklin had it, those who subsist on hope die of starvation.
     
    There is no systemic and sustainable amelioration possible within EM societies: it is always a situation of permanent struggle in a self-defined Adversarial Society.
     
    Rather, we need to restructure the entire edifice on a different ontic and epistemic foundation.
    That is my Basic Thesis (Farewell to Modernism, NY Peter Lang, 2017)
     
    It is not that vested interests capture ‘democracy’, as is erroneously believed: it is that vested interests originally (historically) created that instrument – to serve themselves.</em>
     
    *
     
    One other matter.
     
    I have dwelt , incessantly, on the Iniquities of EM upon the Other: but the Other, I must emphasize, is not at all innocent of a not dissimilar barbarism.
     
    The West did not invent (and I hope they can stomach this slur!) violence or expropriation.
     
    In the area of male savagery, East and West are entirely on par.
     
    The glaring fact(or) that does separate Occidental Despotism from
    its Oriental Counterpart – and this point is Vital – is that the former claimed high moral ground throughout, and despite, their latter-day despoliations.
     
    That sort of bald-faced hypocrisy was notably absent amongst the latter.
     
    If hypocrisy is the homage vice plays to virtue, well the Other simply wasn’t up to that high European standard.
     
    Genghis , presumably, proclaimed no such wild claim(s) to historical virtue?

     
    The point, I hope, is made.

     
    [© R.Kanth 2022]

     

    Professor Rajani Kanth, is Author of Coda (Novel) , A Day in the Life (Novel), and Expiations (Verse)

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    God

     
    (For the Many, who Wonder at it all )

     
    Let’s assume there’s a ‘god’?

    Why not?
     
    The so called “science” of economics makes all manner of
    (outlandish) assumptions to prove its axiomatic truisms.

    So we can, surely, do no worse?
     
    *
     
    So, let’s assume there’s a god.

    What possible purpose might IT have had to have humans evolve from the primeval slime?
     
    I can think of at least 3.

    Of course , that may not exhaust all possibilities.
     
    *
     
    It got Lonely, and needed a (semi)intelligent species to relate to (albeit invisibly).
     
    Or, the Vanity motive.
    It wished to have a species that could marvel at Its many glories.
    Needed, in effect, sentient admirers.
     
    Or, It was so plain Disgusted with the Schema of Evolution that it needed a species that could put an end to All of it, once and for all.

    So it can start over.

    Whence it allowed US to emerge, leaving it to our (expected) consummate turpitude to destroy all life on the planet ever so swiftly.
     

    *
     
    I don’t know about you, but I rather favor the last?
     
    *
     
    Have a look around.

    There is a certain rough post-factum veracity to it, isn’t there?
     
    *
     
    It may be time we asked such questions before it’s all gone in
    a giant plume of smoke?

    I wonder.

     
    [© R.Kanth 2022]

     

    Professor Rajani Kanth, is Author of Coda (Novel) , A Day in the Life (Novel), and Expiations (Verse)

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    Explaining The Real World, Realistically

     

    (For Antara & Indrina)
     

    It is said that Spencer’s idea of tragedy
    was a beautiful theory slain by one single ugly fact.

    Well, that fits.

    EuroModernism (European Modernism) was a thing of (meretricious) beauty.
    It promised Utopia.
    Liberte, egalite, fraternite?
     
    *
     
    So, what happened?
    It was overcome, negated, by realite.
     
    Are you listening, Mr Fukuyama?
     
    Is this still the best of all possible worlds,
    Dr Pangloss?
     
    *
     

    In my critique of EM – the only totalising critique of the paradigms that have ruled the world under European tutelage – I explain it all.
    Why it was (fore)doomed.
    And how we can get out of it.

    There is NO other explanation that fits ALL the facts.
    Nor is there any other complete salve than the one I have proposed.

    Those who still use EM slogans/agendas/narratives to get out of this mess are delusional.

    As Einstein said it you can’t solve problems using the same ideas that sourced the problem.

    Read that last line over one more time.

    I offer a transcendent critique that sublates the entire, misconceived , baggage of the ‘enlightenment’.
     
    *
     
    Here (below) the links to my rendition(s).

    It might yet pay to read and absorb them.

    Whenever and wherever.

    I warrant.

    LINKS

    The Last Critique

    The Matrix*


    Kanth, R. Farewell to Modernism, NY Peter Lang, 2017

     
    [© R.Kanth 2022]

     

    Professor Rajani Kanth, is Author of Coda (Novel) , A Day in the Life (Novel), and Expiations (Verse)

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    Tristesse ( A Love Song)

     

    (for All who have felt the tender passion)
     

    My first, and lonely heart is you
    red, but swiftly changing hue
    beating, almost holding still
    a quaking hart upon a hill
    breaking, but yet far from gone
    like darkling dusk before the dawn
    sleeping now, within the shade
    that your own passing shadow made

     

    It wilts, it will, within the hour
    ensconced within the jaded bower
    it burns, it yearns, and still it may
    happen perchance upon your way
    before its leaving time again
    in a world that’s ever on the wane

     

    Time and tide return to find
    the ores that deepest love has mined
    and jewelled orbs in sweet surmise
    speak of treasures within the eyes
    speckled emeralds sparkling green
    and magic casements all unseen
    my darkest love, my deepest hue
    cleave, my lonely heart, to you

     
    Before its leaving time again
    and anguish tempests fall in rain
    lost beneath that silent shade
    that your own leaving shadow made
    I am leaned upon the folding flower
    in vigil for your waking hour
     
    My first, and lonely, heart is you
    once red, but now in wistful blue

    [© R.Kanth 2022]

     

    Professor Rajani Kanth, is Author of Coda (Novel) , A Day in the Life (Novel), and Expiations (Verse)

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    Peace Song

     
    (For Malini & Anjana)

    Let us sing
    love songs
    whilst they
    go make war

    we may get
    nowhere
    but will they
    get far?

    this world
    is for lovers
    what else
    is there
    ?

    and though
    doom still
    close hovers
    we shall not beware
     
    *
     
    And whilst missiles
    will fly
    and innocents still
    die

    we shall
    be unmoved
    we will not
    give cry

    perchance as
    they kill
    a few may
    cavil?

    cross over
    and join
    their orders
    defy

    though we may
    all sink
    in less than
    a blink

    history
    won’t say
    that no one
    did try

     
    *
     
    So let us sing
    love songs
    whilst they
    go make war

    for we’re not
    warriors
    but lovers
    by far

     
    [© R.Kanth 2022]

     

    Professor Rajani Kanth, is Author of Coda (Novel) , A Day in the Life (Novel), and Expiations (Verse)

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    Love Dirge

     
    (For the Mystical One)
     
    In the softness of
    a silhouette
    my subtlety
    is spent
     
    no matter

     
    love spreads
    like sunshade
    shed by fleecy
    clouds
    whereinunder
    you dart
    like light
    through a nestle
    of dappled spots
     
    it’s dark again

     
    the spell of
    shine
    suffers but the
    sorrow
    of sunset
    to rise once more
    in the slow
    stupor
    of morn
     
    nothing dies
     

    only a rustle
    in the leaves
    of pain
    wakes a dirge
    in my breast
    as a song
    flees the bush
     
    love stirs
     
    the starlight
    rakes a rose
    in my heart
    with the rich
    scent of sleep
    as a lute afar
    plays lonely
    in the dusk
     
    I wake
     
    this time
    your pulse
    shall still
    my breath

     
    [© R.Kanth 2022]

     

    Professor Rajani Kanth, is Author of Coda (Novel) , A Day in the Life (Novel), and Expiations (Verse)

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    Inner Light

     
    (For CLM)
     
    There is a
    certain spark
    of light

    that burns
    through
    dark
    of night

    leaves
    a hallowed
    trail
    making
    the sable
    pale

    when winds
    are blowing
    high
    and storms
    hearken
    nigh

    fills
    the vagrant heart
    where the
    healing zephyrs
    start
     
    *
     
    it has long
    shown the way
    to night voyagers
    the day

    comes from
    know not
    where

    beams high
    now here
    now there

    in world
    of sturm und drang
    illuminates
    the air
     
    *
     

    Flashes hope
    of coming cheer
    to caverns
    plim with fear

    and so
    by and by
    lifts spirit
    from earth
    to sky

    teaching spirit
    sunk so low
    to burgeon
    and to glow

     
    [© R.Kanth 2022]

     

    Professor Rajani Kanth, is Author of Coda (Novel) , A Day in the Life (Novel), and Expiations (Verse)

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    Yan Huang, Author of LIVING TREASURES:

    Erika Raskin, Author of CLOSE:

    • Meet the National Book Foundation’s 5 Under 35

    • s-li

      Excerpted from the LA Times, September 29, 2016

      The National Book Foundation, which presents the National Book Awards, launched its 5 Under 35 program in 2006 to highlight the work of young literary talents; this year each writer gets a $1,000 cash prize and will be invited to participate in public readings.

      Many past 5 Under 35 honorees have gone on to further acclaim. Nam Le’s short story collection “The Boat” won the international Dylan Thomas Prize; Tea Obreht’s novel “The Tiger’s Wife” took the Orange Prize for fiction; and two honorees, Dinaw Mengestu and Karen Russell, were each later awarded MacArthur Fellowships….9781941861301-JacketGray.indd

      One of those writers this year is S. Li, who took up creative writing as a hobby when he was in medical school. The 31-year-old neurologist’s debut novel, “Transoceanic Lights,” was published by Harvard Square Editions, a small independent press.

      “I had sent the book to the National Book Foundation for consideration for the National Book Awards, fully knowing that my chances were zero,” Li said from his home in Burlington, Mass. When he received the email informing him he’d been chosen as an honoree, “I thought it was a scam. And then I realized it wasn’t. I had no idea this was even in the cards.”

      Li’s novel, about a Chinese immigrant family, is based on his own childhood. He was 5 years old when his family moved from Guangzhou, China, to Boston.

      img-41“I was sort of teaching myself the craft of writing,” Li said of his years writing fiction while also learning medicine. “And so it just made natural sense to go with material that comes easiest to you, and that’s your childhood.”

      Li is one of two immigrants honored in this year’s program. Yaa Gyasi, author of the critically acclaimed novel “Homegoing,” was born in Ghana and moved with her family to the United States when she was 2. [more]

       

       

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    • What are the best eco books for children and teens?

    • @EmilyDrabs, excerpted from The Guardian,

       

      Authors including David Almond, Frank Cottrell Boyce and Katherine Rundell plus teen site members share the books that made them think more deeply about climate change and environmental themes. Now share yours!

      This week we’re celebrating the positive power of stories, all kinds of stories, to bring home what we risk losing on our beautiful planet – and what we can do about it. Here authors and children’s books site members share the books that made them think. We’ll be feeding this blog with more recommendations all week, so please share yours – and keep checking back.

      Frank Cottrell Boyce (whose latest book is the remarkably green The Astounding Broccoli Boy)

      First book of Saints

      The book that made me realise that I was part of the environment was The Ladybird Book of Saints. On the cover was this brilliant image of St Francis releasing the caged birds he had he had bought in the market. For ages afterwards I would go into pet shops and zoos and itch to unlock the doors. In fact there are “freeing the animals” scenes in at least two of my books. There are so many environmental messages about how horrible humans are wrecking the planet – that’s obviously true in a way but this image made me feel that I belonged in the World too and that I could cherish and love it.

      David Almond, author of Skellig

      The Promise by Nicola Davies and Laura Carlin. It’s beautifully written, beautifully illustrated picture book. It shows a troubled darkened world being recreated by the human need for greenery, life and colour.

      Louise O’Neill, author of Only Ever Yours

      Margaret Atwood’s Oryx and Crake is a speculative fiction novel that is very much concerned with the damage humans are inflicting upon the environment and the possible catastrophic results that could have. Written in 2003, many plot points now seem eerily prescient and it makes for a disturbing, powerful read. Highly recommended for older teenagers.

      Site member, Patrick

      Carl Hiaasen’s Hoot is true to its name in that it’s a supremely funny YA novel, and one that tends to be overlooked. There’s a real environmental streak running through all of Hiaasen’s works and Hoot is no exception, it deals with a Florida teen who bands together with a couple of new friends to stop the destruction of a burrowing owl colony. It’s a lot of fun with a solid conservationist message at its core and an abundance of charm to boot.”

      Candy Gourlay, author of Shine

      Long ago I wrote a short story called How to Build the Perfect Sandcastle for Under the Weather, the climate change anthology edited by Tony Bradman. About a white sand beach losing its sand because the sea is heating up … the same hot oceans that later whipped up the murderous monster that was Typhoon Haiyan in 2013.

      Perhaps the all too real climate change disaster in the Philippines has made me partial to flood stories. My favorite is Not the End of the World, the lyrical resetting of Noah’s Ark as a Tsunami survival story by Geraldine McCaughrean.

      Lottie Longshanks, site member

      The wild series by Piers Torday. So far I have read The Last Wild and The Dark Wild. Kester has the unusual gift of communicating with animals and it is his mission to save the animals from red eye the disease that is slowly killing them. It is a really exciting story and you soon guess who the villains are Selwyn Stone and his lackeys who want to dictate the way that everyone lives. The amazing rubbish dump in the second book in the series really makes you think about the damage that we are doing to our planet. I can’t wait to read the third book in the series,The Wild Beyond.

      White Dolphin by Gill Lewis Set in the south West of England the exciting story tells of children who take on the might of a powerful fishing business to stop dredging in the harbour because of the damage it does to marine life. I also love Moon Bear by Gill Lewis. This incredibly moving story shows how deforestation leads to misery for the animals whose habitat was the forest. And finally here is a recommendation for small children I read it to my cousin who lives in Oman when he comes to visit us. Dear Greenpeace by Simon James. Emily writes to Greenpeace to find out how to care for the whale that she thinks she has seen in her pond. Emily’s letters and the lovely replies she receives from Greenpeace will give little children a lot of information about whales. (Also see Lottie Longshank’s poem Our Precious world)

      SF Said, author of Varjak Paw

      I recommend Exodus by Julie Bertagna: a brilliantly prescient YA novel about climate change, set in a drowned future world. It’s full of unforgettable visions and characters, and it will stay with you forever!

      ItWasLovelyReadingYou, site member

      My book would be Breathe by Sarah Crossan. It made me think about how we take so many things for granted, such as oxygen. You can’t see it, we use it every day, without it we would not survive; yet many people do not really sit down and feel a sense of gratitude for these types of things, becuase we assume we deserve them, we see them as something that will never go away, we just accept it without question. Breathe really made me feel a sense of ‘imagine if we didn’t have oxygen, or we had limited supplies of it-”, it made me question my unconscious detachment from what keeps us alive, and really feel privelidged to have all of these necessities.

      Katherine Rundell, author of Rooftoppers

      Cosmic, by Frank Cottrell Boyce. Cosmic is a book that makes the world look like something worth protecting. It’s hilariously funny, and also wise – it makes its readers want desperately to go into space, but also to take care of the world while we’re on it. The Earth is, as one of the astronauts says, “some kind of lovely.” The Last Wild series by Piers Torday – these three spectacular books are about a world decimated by humans, and the possibility of that loss feels very real and urgent and frightening – and they’re also fantastic adventure stories, about bravery and animals and human capacity to do huge good as well as harm. And there’s a bossy talking cockroach.

      Site Brahmachari, author of Kite Spirit and Artichoke Hearts

      For me it has to be The Ring of Bright Water Trilogy by Gavin Maxwell. I fell in love with these books as a child because they are set on the West coast of Scotland – a place I love – where wildlife and nature are the biggest characters. It;s a humbling landscape. If you have a love of the outdoors and really want to study the nature of beautiful, playful otters… and can stand to have your heart broken …. you should read these stories. Although they were written 50 years ago they are as timeless as the shingle beaches they are set on. The author lived and breathed the paradise he went to live in… and so will you when you read these books… and afterwards you can watch the film (tissues at the ready!)

      OrliTheBookWorm, site member

      Breathe by Sarah Crossan is probably the book that’s impacted me the most in terms of the environment – it’s a dystopian novel, with people living in domes due to a lack of oxygen – the raw descriptions and harsh realities were wonderfully done and uttery thought provoking, and made me take a step away from my laptop and have a look outside my window…. It’s a brilliant book, which I guarantee will change your perspective on the environment around us.

      Piers Torday, author of The Dark Wild trilogy

      The Animals of Farthing Wood by Colin Dann – the original classic tale of a group of British animals seeking refuge when their precious Farthing Wood is threatened by human development. They overcome incredible obstacles and danger to make it to a wildlife sanctuary. But reading it today there is an extra poignancy – some of the animals in the story, like the red-backed shrike, are now extinct, and others – like the adder, hare and voles – are all under threat.

      BritishBiblioholic, site member

      Watership Down by Richard Adams – When the rabbits in Watership Down are forced to leave their home, it is due to its impending destruction by humans. This potentially can be seen as an allegory for the ongoing destruction for the environment in general – and unlike the rabbits, if we don’t save our environment, we won’t be able to find somewhere else to live.

       

      Mary, curator, eco-fiction.com

      Memory of Water by Emmi Itäranta: The novel takes place in the future after climate change has ravished economies and ecologies, and made fresh water scarce. The main character, Noria, is a young woman learning the traditional, sacred tea master art from her father. Yet, water is rationed and scarce in her future world. Her family has a secret spring of water, and, as tea masters, she and her father act as the water’s guards, even though what they are doing is a crime according to their future world’s government, a crime strongly disciplined by the military.

       

      NC front DR TinyNature’s Confession by JL Morin: The eco-novel is wonderful and reminds me of classic science fiction I watched or read as a kid. It was a genre that fascinated me then, and this book has joined that memory. The novel is epic in that it doesn’t just tell a story (which it does do too), but it puts our very survival into question while romping through the universe or discovering new quantum physics that are both scientific and spiritual in nature. In the meantime, universal symbols are unearthed, codes are investigated, fat corporations are dominating, a romance is blossoming, computers come alive, and native tribes and Nature on another planet bring our own treasured past into the future.

       

      Tito intiro Chavaropana by Jessica Groenendijk: Tito intiro Chavaropana means ‘Tito and the Giant Otter’ in Matsigenka. The author, a biologist who has studied giant otters, is now working on a sequel, in which Tito sets off into the forest to hunt a spider monkey and meets a harpy eagle on the way. They become friends but not without a misunderstanding or two!
      61cwBitpcAL._AA160_Spirit Bear by Jennifer Harrington: Spirit Bear celebrates a rare and iconic black bear that is born with a recessive gene that makes its coat creamy or white. Also called the Kermode bear, the spirit bear lives in the delicate, rich, and threatened ecosystem of the Great Bear Rainforest in British Columbia, Canada. Jennifer’s story is about the journey of a spirit bear cub that gets lost from his mother and has to find his way back.

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    • Publisher Guidelines

    • Publisher Harvard Square Editions is looking for literary fiction of environmental or social significance.

      Its mission is to publish fiction that transcends national boundaries, especially manuscripts that are international, political, literary, sci-fi, fantasy, utopia and distopia. Send submissions of aesthetic value and constructive social or political content, especially manuscripts related to climate change, deforestation, and conservation.

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    • A Moral Atmosphere: Hypocrisy redefined for the age of warming

    • By Bill McKibben (HC ’82)

      This article first appeared in Orion Magazine.

       

      THE LIST OF REASONS for not acting on climate change is long and ever-shifting. First it was “there’s no problem”; then it was “the problem’s so large there’s no hope.” There’s “China burns stuff too,” and “it would hurt the economy,” and, of course, “it would hurt the economy.” The excuses are getting tired, though. Post Sandy (which hurt the economy to the tune of $100 billion) and the drought ($150 billion), 74 percent of Americans have decided they’re very concerned about climate change and want something to happen… (more)
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    • Cambridge divest from fossil fuel

    • We call on the City of Cambridge Retirement System to immediately freeze any new investment in fossil fuelcompanies, and to divest from direct ownership and any commingled funds that include fossil fuel public equities and corporate bonds within 5 years (more)

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